Washington Tribune
Saturday, September 21, 1929
Washington, D.C.
Page text (machine-generated)
MeetHer Majesty-Milady of the Chorus
WHEN the curtain rises upon a musical comedy, be it one of those gorgeous things that command ticket scalpers' prices for the opening, or one of the tabloid miniatures with which those of more moderate incomes are more familiar, there are those captious critics who note every defect in the machinery of presentation.
W. B. Ziff Co., 608 S. Dearborn St., Chicago,
Foreign Advertising Representatives
Meet Her
WHEN the curtain rises comedy, be it one of the that command ticket s the opening, or one of the table which those of more moderate familiar, there are those captive every defect in the machinery of
Lydia Bourke,
a choreine in
"Blackbirds of
1928," rated as
the most successful
Negro musical comedy of
the season. The
well - drilled
perform a n c e
of the "Blackbirds" chorus indicated many weeks
o f gruelling work and nervous strain. But this photo shows Miss Bourke has managed to retain her beauty.
There are also those who wonder just how it all came about, and still others who take the show for granted as always having been just like the sun that shines daily.
To the wondering one, that person who has curiosity enough to want to know how the show came into being, a visit to a rehearsal would not be without its compensations. The opening night of a musical comedy production marks the culmination of many weeks of gruelling work and nervous strain for all—the business organization of the company, the cast, and most of all the pretty little choristers whose svelt figures and graceful dances give essence and character to the show.
It is the diminutive bit of femininity known as the milady chorus girl, upon whom the burden of grief that is called a rehearsal rests most heavily. For many weeks these chorus girls have struggled against the human instinct to err in order to become personified precision in the dance steps, drills, marches, entrances, and exits, through which they must go in future performances.
Behold the chorister for just what she is, without the traditional idea that she is but a sublimated gold digger. Nothing could be more wrong than this popular conception of the majority of the girls who trip the merry, merry toe to the daily entertainment of tired business men, and many others not nearly so imbued with business, nor so tired as they might be. The girls are tired enough to make up for all on an opening night (for have they not walked, run, danced and ambled through nerve wrecking numbers until every bone in their supple bodies ached?).
Washington Tribune
A tabloid show has from four to ten numbers. The larger productions—those of standard two hour and twenty minute duration—include between sixteen and twenty-two songs and medleys with at least two lengthy finales to acts. Each of these requires a routine of dance steps that runs from half a dozen different cross-leg movements to as many as fifty different dance steps.
To the well-seasoned chorister working under a dance director with experience, many of these steps are simple; but only so because the girls' stage-practice, and previous seasons of hard work have riveted the routine of many dances upon their minds, and habit has bestowed a name upon these steps as a sort of a convenient handle by which one might grasp them.
However, the cry of the theatre patrons for something new compels the dance instructor to devise a new and different arrangement of dance steps for his every new production; and it is the chorister upon whom the burden of accomplishing these rests. The director having passed the critical first nighter's judgment, may find himself with a bonus for his work in thinking up those harrowing movements, but the poor girls who have executed them so faithfully as to create that happy judgment, keep right on doing it while the show lasts and drawing the same salary as that with which the show started. It is the girl who pays—this time in energy.
In response to the "call" published in trade papers or following up the tip passed by word of mouth around the district where show folks live, move and have their being when "at liberty" the
The success of every performance depends upon her ability to stand the gaff of many torturing hours of prancing before the footlights—and for her faithfulness she generally gets the shortest end of the box office receipts—and sometimes not even that.
James A. Jackson, the writer of this story, now a business sp. specialist in the United States Department of Commerce, where he has charge of the Small Business Unit of the Domestic Commerce Division, is known throughout the country and to much of the world as "Billboard Jackson." This sobriquet was acquired because of his connection as an editor on the staff of the Billboard, the theatrical organ, where for six years he functioned as the mouthpiece of the Negro in the entertainment world.
This was not his only connection with theatricals. His father was a basso with the first commercial troupe of jubilee singles organized; Mr. Jackson has been secretary to several of the great theatrical producers, including the corporation that launched the first travelling company, the late Al. G. Fields, Jules Hurtig and Ernest Hogan when Hogan and McClain were names to conjure with in theatricals. Albert Jackson, Jr., third of the line, is today a Keith circuit comedian and stage manager of a flash act.
Mr. Jackson writes with authority born of genuine interest and intimate knowledge of the traditions and history of amusements. This is one of a series of stories from the pen of the man who has enjoyed a half century of the most diversified experiences, a great number of which involved travel.
paper carrying the chorus words of an opening number are passed out and the vocal director, a pianist, plays the first piece.
The director, if he is a young man, executes what he regards as a proper routine of steps for the number. If age has endowed him with too much surplus fat for that activity, or if rheumatism or some such similar alliment is his master, a girl is given an intensive period of instruction in the number and she becomes the model for the others.
THE DANCE TEAM
The famous "Blackbirds" chorus, probably the highest paid group of Negro chorines within recent years. Their success has been due to long and strenuous hours of rehearsing.
girls begin trooping to the home office or office of the producer or director. Those holding promise, according to the judgment of that worthy, are instructed to report to a designated hall or empty theatre on a specified day. On that day, with little preliminary explanation, all present are placed in line, slips of
Floyd G. Snelson, Jr., former editor of the Tattler and a widely known news paper man who has always given the chorus girl a "break" in the columns of his publication n s. He is now editor of the Apex News.
words of an opening number
and director, a pianist, plays the
a young man, executes what
name of steps for the number.
With too much surplus fat for
ism or some such similar alli-
s given an intensive period of
and she becomes the model for
(Continued on page eight)
Billie Rickmon, the New York stage beauty, formerly of "Keep Shufflin." She is one of the typical choral beauties who trip a strenuous routine in order to delight the tired business man. She has probably never received one of the "polite notices."
Illustrated Feature Section BEN DAVIS, Jr. Feature Editor
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EDITOR'S NOTE: Geraldine Fox has an-
swered hundreds of letters on health and
beauty. Hf you have question about your
personal health, write her, enclosing
stamps and self-addresed envelope, -and
your letter will be iven a personal’ reply.
Adaress your leter in care of this paper.
eee
NE of my readers has writ-
ten me asking just what vo
do for a double ‘chin. Sh:
says, “I think I am really
pretty good looking. Som2
ee ee ee
E Jook in the g! = just turn sick
when I ‘see that double chin I have
been getting. I am a long way from
being an oid woman, and I do hope
ee eee ae
get rid it.”
That's easy, Miss Double Chin—
for you, and fer all the other double
If find et tase dou:
you —rsel @ dou-
bie clin whenever you go to the mir-
ror it is high time that you do some-
very easy,"you need not fear’ that
very easy, you no! a
you cannot.
In the first place get a basin of
very hot water. It should be as hot
@s you can bear. Wring from this
water heavy woolen cloths, or if you
do not-have them, use part of a turk-
ish towel. Fold the steaming cloth
into a pad and hold under your chin,
Bressing it against the flesh. The
7 &
« eo
\
W y do you
hopelessly endure
- rheumatic pain?
You can get relief—quick-
erate eee
your face and saps your vital-
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C-2223, the original formula
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Ask your dealer today for
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St. Joseph's
C. Bow pucnmwance
cloth should not’ be hot enough to
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yeu can bear comfortably. Change
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five ee Then, placing your
fingers back your 2ars, bring your
two thumbs together directly umder
the point or center «f your chin.
Now witn a firm, steady stroke,
move the thumbs backward over the
double chin; your thumbs will nat-
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and the movement may be repeated.
Do this for as ei bate twenty times,
pressing firmly careful not
to bruise the ficsh.
If you use this treatment for only
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ar. at the rate your second chin
is leaving you.
If you want to hurry the process
though, here is something else you
ee After you have given your
little visitor its steam bath, and mas-
ar you can do one other thing that
es dissolve the fatty tissue
that: up this double chin. Here
is the way to do it:
yourcan, if possible touch the body
as can; if possible
with the chin. Ther from this for-
ward position of the head, lean sar
head as far backward as you possibly
can,
Just at firs; you may have to do
this little trick rather. slowly but in
a short time you can do it rapidly,
and itis true that a rapid swinging
of the head, following the massaginz
T have already explained, wi"! do won-
a helping you have only one
Remember this: I am always eager
to help you. If vou have problems on
beauty, do not hesitate to write me
fully, and freely. Be sure to enclese
——— envelope, and write in d2-
The
Illustrated
Feature
Section
strives at all times to
give its readers the best
and most interesting in
features and fiction.
It will take great pleas-
ure next week in an-
nouncing a serial story of
unusual excellence. _
WATCH FOR
IT!!
Don’t Keep Girls Ignorant of Love
Pare [or 5 ems ore. Wet ea ics yea eet teibodl ad-
vice? Write to ee ee eet If you wish
@ personal reply, please send a stamped, self-i envelope.
OP Rady |
es ial
: CAnaLER . yy)
\ am PREACHED BY...
-| | ly a | Rev. 32M. GATES
@RUNKARD You Mother Heart Breakers
a ers Don’t You Live. So God
Vad i Can Use You Anytime
STRAINING AT A GNAT AND
ee” sso0| SWALLOWING A CAMEL
( 2 SPEED.ON, HELL Is WAITING FoR YOU
¥ g654{8OU MIDNIGHT RAMBLERS
KILcER DEAD CAT ON THE LINE
~
py 75e../75e.
\| a Ox
| LS RECORDS
—— eh wg ig Eta aen a ae eS
ILLUSTRATED FEATURE SECTION
Cor
A mother down im “Deep Dixie”
wants adviee this week.
Dear Mrs. Jerome:
I have kept my daughter very
innocent of life and its worst side,
‘but now she is engaged to be mar-
ried and I wonder if I should not
tell her a few things to prepare
her for all that is to-come.
ANXIOUS PARENT.
My dear lady, you've probably al-
ready ruined your daughter’s life by
your careful silence on matters of
sex. For I assume that by the “worst
side of life” you mean just that. What
you tell her now just before mar-
riage will frighten and shock her.
Sex facts should be frankly but
casually and gradually communicated
to youngsters, both girls and boys. To
keep a girl innocent, that is ignorant,
of the most important function of
life until her wedding day then to
“spill” it all at once as if it were a
horrible secret, is an almost criminal
Dionit “ies. to. tell hee ‘iiplarieny sacra,
you would only do it badly, let her
The ILLUSTRATED FEATURE
SECTION is published for your edu-
cation and entertainment. You can-
not obtain full value unless you read
every advertisement in it. These
So want to i you pod
goods and are for your pat-
ronage. Foc eoeny Bh announce-
ments and write for information
about the things that interest you.
phusband tell her. Get her some books
[to read on the subject and tell her
ausband to speak frankly from: the
first to her as you have failed io do.
If you are marrying her to a sanc-
timonious creature like yourself she
will probably be micerable the resi
of her life. I do not see how a moth-
Sour
Stomach
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e way, the quick, pleasant a1
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ane? tots Spe ers
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Be sure to get the genuine Phil-
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REMOVING MILDEW STAINS
FROM CLOTHING
| If very fresh ‘stains, washing in
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move them, if the stains are old use
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with oxalic acia. Where area is large
ee ee ee
ele water —- > one quart
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—_ Sees ae are ae
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gut, repost proce put ga
pa ae legs a
er can consider sex ugly when it is
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And evidently the Almighty took
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King Prempeh and The Golden Stool
Pablo Picasso
The blazing houses, some of which the rebels had fired, cast a lurid light on the surging mass of humanity.
September 21, 1929
PART II
THE QUEST OF THE GOLDEN STOOL
By J. A. Rogers.
(Continued from last week)
AFTER King Prempeh's surrender the invaders broke into his palace in search of loot. All they found of value was about $10,000 in gold. His celebrated dinner service of Dutch silver was gone. So were his golden hat and his golden chair of state; also the golden sword, Mponponsu, on which the chiefs swore allegiance, and the Golden Stool.
This, above all, was what they sought.
For, the Golden Stool was not only the emblem, par excellence, of the Kings of Ashanti, but it was the symbol of Ashanti power. No matter what happened, the Ashantis felt secure so long as they had it.
This was why the Ashantis had yielded. They did not wish to take the sacred stool into a war which they felt sure they would lose.
Cleverly Carved.
The Golden Stool was a masterpiece of African art that art which is the fertilizing force of European art today. It was carved out of teak, and overlaid with gold; and the African goldsmiths, who are among the cleverest artists in the world, had lavished their choicest skill on it. It had been made three centuries before, and its beautification had gone on with the years. Almost every monarch since Osei Tutu had added some gem or bit of ornament, until its crude value stood at millions of dollars.
Its most sinister bit of decoration were two casts of the head of King Adinkera of the Fantis. King Adinkera, hearing of the Golden Stool, had had one made like it; whereupon, Bonsu, king of the Ashantis, made war on him, and capturing him, cut off his head. Melting down the imitation stool, he made the death-masks, which he hung, one on either side of the Golden Stool.
So sacred was the Golden Stool held that even the king, himself, could not sit on it. At certain ceremonials, when its power was to be invoked, the king would make pretense of sitting on it three times, after which he would sit on the chair of state, resting his arm only on the Golden Stool.
Stool a Sacred Emblem.
All of which seems a lot of fuss to make over what we civilized folk will call a fetish. But the Golden Stool was to the Ashantis what the Stars and Stripes is to the American or the Union Jack to an Englishman. Just as the President of the United States would not think of sitting purposely on the American flag, so the Ashanti king held his stool sacrosanct. One hundred and eightye years before the Ameri-
can flag was made, the Ashantis had been using the Golden Stool as their symbol. Some years ago when the Princess Mary was to be married, the queen-mothers of Ashanti sent her a silver stool as a present. The senior queen-mother in giving over the stool to Lady Guggisberg, wife of the governor, said: "This stool does not contain our soul as the Golden Stool does, but it contains all the love of the queen-mothers." In short, the Golden Stool was to the Ashantis what the Ark of the Covenant was to the ancient Jews. It was their soul, their rallying point, and they felt that their God, or gods, would be with them as long as they had it.
It will be understood, therefore why the British were so anxious to get it, but search as they would it could not be found. On their coming it had been hid in the bush with the rest of the royal treasure.
Hiding Plac2 Discovered
Four years passed and in spite of all rewards and attempted bribery, it lay hid. During these years, all seemed quiet in Ashanti. Not even the battles being fought by Samory, Black Napoleon of the Soudan, against the French, near by, seemed to disturb the tranquillity. Then, one day, news came that the hiding place of the Golden Stool had been discovered. A lame boy named Esumi had come to Accra and offered to point out the spot to Governor Sir Frederick Hodgson. The governor sent an armed expedition after it, but when the boy neared the supposed place, he was so paralyzed with fear that they were forced to return without it.
The governor thereupon decided to go to Coomassie in the hope of prevailing upon the Ashantis to turn it over to him. Arriving there with Lady Hodgson and his staff, he a embled the chiefs and exhorted them to be loyal, promising them British friendship and protection.
But perhaps no peace talk in history ever had such opposite effect; for, in the course of his speech the governor had said:
"What must I do to the man, who ever he is, who has failed to give to the Queen, who is the paramount power in this country, the Golden Stoil to which she is entitled?
"Where is the Golden Stool? Why am I not sitting on the Golden Stool at this moment? I am representative of the paramount power, why have you not relegated to me this chair? Why did you not take the opportunity of my coming to Coomassie to bring the Golden Stool and give it to me to sit on?"
The "Voodoo Woman" Speaks
Mrs. A. C. Harris Bilbrew, versatile actress, who played the part of the "voodoo" woman in "Hearts in Dixie."
ILLUSTRATED FEATURE SECTION
eh and The
some of which the rebels had fired
Sir Frederick's words fell on a ghastly silence. The Ashantis could hardly believe their own ears. To give this hated invader their most sacred emblem to sit on—this symbol of all their past glory—this sacred object which contained the spirits of their dead kings from Osei Tutu to Kwaka Dua II! Verily, it was the crowning insult. That same night the chiefs met in
The "Voodoo
the tent of Opuku and drank fetish that they would submit no longer to British rule. Later Governor Hodgson declared that he had never asked for the Golden Stool to sit on, but the newspaper correspondents said that he did. In any event that was how his speech had been translated.
The Ashantis Rebel
A few days later, the Ashantis rose in rebellion, and Governor Hodgson.
his wife, and the other Europeans found themselves besieged in Coomassie.
Surrounding the fort, tens of thousands of Ashanti warriors chanted:
"The governor came to Coomassie on a peace palaver.
He demanded money from us and sent white men to bring him the Golden Stool;
Continued on page four
n" Speaks
By Ruby Berkeley Goodwin
CAN A WOMAN combine marriage and a career? It is generally assumed that she cannot, and for that reason many men marry professional women with the understanding that the wife will give up, or at least subordinate, her interests to those of her husband. Mrs. A. C. Harris Bilbrew is the daughter of the late Rev. S. L. Harris, formerly of Texas, but for the past nineteen years she has been a resident of Los Angeles.
"Hearts in Dixie" is a distinct triumph for Mrs. Bilbrew, both as an actor and musical director. Appearing for the first time upon the screen, her role was the very exacting one of the Voodoo Woman. Critics say that she gave a superb interpretation of the part. The Bilbrew chorus of sixty trained voices which furnished the spirituals and folk songs throughout the production are proof of her ability as (Continued on page four)
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The “Voodoo Woman”
~~: Speaks . -
i
(Gontinsed: from” page*“three)
an. able’ director ~ 9 2.0. 2
“ "You see,” she ‘explained in“ her
soft low eontralto ‘voice ‘after. prelim-
inaries. were’-ever, “‘I:- didn’t.expect
6 take 4-role in. the picture: -E was
there mérély to hélp“airect: my chor-
us. It: was ‘a heavy-role and I.didn't
feel equal to it for-it had’ been writ-
ten for Madamé. Sul-Te-Wan, »who,
before the ‘present influx of eastern
neters, was considered -our. greatest
setor. Then. there were ‘two -white
artists, €ach quite: a_ famous” person,
who made-up and tried cut for the
pes but ‘none of. them were satis-
ry.
ee eee ee Nena
BE ee ae |
Beeb igo wsietae (ce
Bee atclieites ele
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So PS eee i ae Be? ohh dee Pee eI Dp er
} just five minutes left before they
woyild ‘shoot’ the seenes,. But: after
the bad given-nie“his idea of how
it-should be done 1. ‘worked hard to
Mose my. Own individuality .and give
an accurate portrayal of & Voodoo
woman. Dae see e
“““T was censured eevee for, play-
ing. that part by-somé’ of the mem-
bers. of our ‘group, -yet I ‘can't see
.WHy “A Vobdoo womari was as much
@ part ofthe. 1870 period group pic-
ture as the old-fashioned ‘dress. and
the Nellie Bly.. Our-race has a way
of-shying at truth. We will never
overcome. faulis that way. And ai-
-ter.-all, the: Voodoo" woman is not
confined to 1870: In many ef our
communities the Veodco ‘woman is
still known. It is true ‘that the
number of people “who kiow and
fear her is-smaller, but she /:. with
us. today.. Even in this modern and
up-to-date: Hollywood, it is, reported
that there are“ Voodoo: eults,
“The falkies have . revolutionized
the’ movie industry. In silent drama
the two essentials were’ beauty of
ted and form, but brains are neces-
sary for Movietoné work. .There
‘can be no coaching “or prompting
from the director. Not.a sound can
be uttered. unless it is essential to
the play. The cost of picture pro-
duction had always been enormous,
but the talkies have increased the
cost four-fold. The slightest mis-
hap will cost thousands of dollars.
“I see a very definite place in the
movie world for our people. That is,
if we will prepare ourselves and be
ready for our big chance when it
arrives. We have made a substan-
tial entrance into the world of
Movietone but how will we. follow
up?
“We have been. too prone to blame
the cther fellow for our failures, but
this is a day of a new psychology
which ‘every Negro should adopt and
hold fast ‘to, the psychology that.
‘No one can hurt us but ourselves.’
We have been over-critical of the
other fellow and not critical enough
of ourselves,
“We have been taught by our lead-
ers, to a large extent, that ours was
a race nearly perfect, held back only
because of our dark skins. But now
the slogan of the world is efficiency.
And in the future that is the thing
that is going to count. It is time
for young Negroes to stop bemoan-
ing the fact that they are hindered
by color and begin to become efficient
along some line of efideavor. Not
just get a smattering of knowledge,
but secufe a thorough knowledge of
whatever they hope to master.”
Aside from her chorus work, Mrs.
Bilbrew is equally as famous for her
Ladies Minstrel which is a yearly
affair on the coast; and her much
known Bilbrew Quartette. This quar-
tette has a two-year contract on the
Orpheum Circuit. They were put on
the regular bill for their tryout and
they stopped the show. This quar-
tette broadcasts over KNX and was
the first and original ‘“Do-Nut”
company.
Mrs. Bilbrew’s oldest daughter,
Mrs. Robert V. Edwards, is an emi-
nent pianist. Her two smaller
daughters, who are twins, are under
a five-year contract: at Grauman’s
Hollywood Egyptian Theatre. They
scored their biggest hit when they
did the prologue ‘with the Duncan
Sisters in “Topsy and Eva.” They
are only five years old but they show
a ean fae above that of the
average cl of that age.
Mrs, Bilbrew is also a poet in no
small degree. Some of her best
known poems are, “Call to Arms,”
“Volunteers,” “Black Boys in Khaki,
We're Mighty Proud of You,”, “Pun-
ishment of Love,” and “Eulogy to
My Father.”
As a writer of songs, one of her
best. compositions is, “Tribute to Ro-
land Hayes.”
As a tribute to her chorus, music
teachers and directors from the fa-
mous Winn-Kearney studies and the
Hollywood, conservatory of music
urged their students to attend
“Hearts in Dixie” to note the har-
mony, Moviefone caught and brought
to the hearers.
Mrs. Bilbrew is a. dark brown-
skinned woman of medium size and
height, yet she has a way about her
that makes you want to use the word
“eute” to describe her. She possesses
@ very charming manner and a
Pleasing personality. She is a charm-
ing hostess, a devoted mother, an
affectionate wife. an able directress.
KING PREMPEH AND THE ©
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ILLUSTRATED FEATURE SECTION ©
(Continued from page three)
“Instead of money the governor shal
have the white men’s heads.
~ The Golden Stool. shall be well
washed in tke white man’s
blood.”
Again and again they stormed the
forts that day, but each time they
were, driven back by the cannon and
the . sharpshooters inside. . Captain
Armitage, one of the besieged, de-
scribes the scene as follows:
The White Army Caged
“The scene which was presented
from the verandah of the Residency
that. night beggar’s description, ‘The
blazing houses in the cantonment and
the Fanti ani Cape Coast lines, some
of which the rebels had fired, cast a
lurid light on the surging mass of
humanity - clustering around th >
fort. walls from. which-. arose © th2
wailing of women and the pitiful ‘ery-
ing of little children, who wept with
their mothers. out-of sympathy with-
out knowing the danger realized by
their elders.
“Behind all, towered the :black wall
0: the forest which surrounds Coom-
assie, from which were borne the tri-
umphant shouts of the’ rebels, who
had at last caged the white. man
within the narrow. limits~cf the
fort. It was a night never to be
forgotten.” ,
Strange Ashanti Messages ‘
Governor Hodgson tried to get. a
message through to Accra but it was
Weeks before he succeeded: The first
week in May, he sent to say that he
could hold out but eight or ten days
longer. On May 31, relief had: not
ecme and provisions had been re-
duced to their. lowest.
Kobina Cheri, who commanded the
Ashantis, demanded the _ return. of
King Prempeh, and the abolishment
of forced labor as the price of peace.
In the meantimé, the Ashanti war-
riors would beat out messages on their
Septmeber 21,1929
Se
‘drums from camp to camp.
} First Camp: Do-yov hear the buf-
falo moving in the forest? x
Second Camp: We hear him.
| First Camp: We are like the buffae
(Continued on’ page eleven)
Sunnie
GRAPEFRUIT > PRESER VF ~
. Remove outer. yellow rind and most
of the white by. peeling very” thick,
Halve the fruit, and with sharp knife
cut out: the ‘core. “Then siieé across
and place pulp in granite kettle with
very little water and cook .at.mod-
erate heat. When at boiling ‘point,
oat tree-fourtiis: pint of sSRRRE 30
eacl int 0! Tull yu!
then. cok slowly Mr ataites "Seal
in small jars. <
HAVE YOU LOOKED
OVER OUR
CLASSIFIED ADS
ON PAGE 10?
Serving Meals Correctly
Set the water glass or goblet at the tips of the knives.
Lay the napkins at the left.
All silver should be placed half an inch from the edge of the table, the edges even.
Relishes in small dishes may be placed near the center of the table.
The water glass should be three-fourths full.
A set of salts and peppers should be allowed for each two people.
Butter and two small slices of bread crackers, or rolls should be upon the bread and butter plates when the meal is announced. Place the bread and butter plate above the tops of
DONNA
no whose voice has elicited very high a charming personality also.
OF BERT W
PREMA DONNA
Marguerite Lee, a well known soprano whose voice has elicited very high praise. Miss Lee possesses a charming personality also.
.
Serving Meals Corn By BETTY BARCLAY the Well-Known Food Write
PRIMA DONNA
Marguerite Lee, a well known soprano whose voice has praise. Miss Lee possesses a charming personal
THE LIFE OF BE
FINE -
THANK YOU
MISTER WILLIAMS
HOW ARE
YOU
CHAPPY?
He made a "big-brother" habit of nicknaming everybody, and thus his faithful valet, Chappelle, he called "Chappy." "Chappy" had given him service for many years.
He made a "big-brother" habit of nicknaming everybody, and thus his faithful valet, Chappelle, he called "Chappy." "Chappy" had given him service for many years.
September 21, 1929
member of the family will be embarrassed because he or she does not know exactly what to do with some utensil, dish or cloth that is placed before him.
From 18 to 20 inches of space at the table should be allowed for each guest.
The number of forks needed for the meal should be placed at the left, in the order of use from left to right.
The spoons and knives go to the right—in the order of use from right to left.
THEY LEG
Ardelle Meadows (right) right in New York. They are popular vious reasons for the rush to the
RT WILLIAMS No.
THE WORK
His necessary humorous trend of thought led him to undertake the writing of a serio-comic hand book on anthropology, which he might one day have published, had he lived.
His necessary humorous trend of thought led him to undertake the writing of a serio-comic hand book on anthropology, which he might one day have published, had he lived.
THEY LIKE "BARE LEGS" STYLE
THE BROOKLYN EAGLE
Ardelle Meadows (right) right and Ollie Alexander, hostesses at the Savoy ballroom in New York. They are popular and well-known ladies in Gotham. They are two obvious reasons for the rush to the "sophisticated" city every summer.
ILLUSTRATED FEATURE SECTION
Text by BEN DAVIS, JR. Drawn by A. W. RENNEGARBE
BRETT WILLIAMS IN PERSON
A.W. RENNEGARDE
He was a headliner in big-time vaudeville also, and always played to capacity houses. He often did this to help charities, and all worthy causes. It was often thought that his overwork in this manner contributed to his untimely death.
How to Buy Fruits,Vegetables
By BETTY BARCLAY, The Well-Known Food Writer.
O you know the little "tricks of the trade" needed when purchasing vegetables and fruits of various kinds? If not, study the following paragraphs carefully and put what you learn from them into practice when next you go to market.
When buying sweet potatoes, get medium-sized, thick ones with tapering ends. Avoid the long stringy ones, particularly if the skins are withered.
Choose a cabbage that is hard and solid—with a hard white stump. The veins in the leaves should not be discolored.
Good onions crackle—because they are thoroughly dry. A thin neck is another good sign of a good onion.
Choose smooth and shiny peppers for stuffing. Choose string beans that will snap with a bang when broken. Choose peas that fill the pods.
Choose peaches that LOOK good and they will usually be found to TASTE good. Do not take cherries that are hard. Buy pears that show no bruised spots or blemishes.
Choose a pineapple with a golden yellow color—which denotes ripeness. Pull a leaf from the top, and if it comes out easily, the pineapple is
SERVING MEAL
(Continued from page five)
SERVING MEALS CAREFULLY
SERVING MEALS CAREFULLY
the forks—the bread and butter spreaders being laid horizontally across the lower edge of the plates.
Honey Cherry Pudding
1 tablespoon shortening
1 egg
1 cup honey
½ cup sour cherries
¾ cup milk
2 tablespoons baking powder
2 cups flour
Blend shortening and honey together. Beat egg thoroughly and add to blended honey and shortening; then milk, then ½ cup drained cherries, then flour in which baking powder has been sifted. Bake in flat cake tin. This cake should be about an inch high. Serve hot with the following honey cherry sauce:
1 cup cherry juice
1-3 cup cherries, sour
3 tablespoons flour
2 tablespoons butter
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very likely ripe. The aroma will help a lot in your choice, too.
Take the bunch of grapes where the grapes are all adhering, rather than the straggly bunch from which half the grapes have dropped. The darker grapes should not have a tinge of green if they are ripe enough for immediate eating.
FROZEN CUSTARD
3 cups boiling water
3 eggs, beaten
1 tbsp vanilla
3 cups evaporated milk, chilled and whipped.
Mix sugar, flour and salt. Add water and boil 3 minutes, stirring constantly. Pour mixture over eggs slowly to prevent curdling. Return to fire and cook 2 minutes longer. Cool, add vanilla and fold into the whipped cream. Freeze with a one to six salt-ice mixture and you will have two quarts of frozen custard.
TOMATO JELL-O SALAD
Cook one pint of tomatoes together with one slice onion and one celery stalk for five minutes. Strain and add one teaspoonful vinegar.
LS CAREFULLY
2 cups boiling water
1 cup honey
Mix flour and butter, pour over this two cups boiling water. Blend thoroughly. Add cherry juice and cherries, stirring continuously while over flame. When completely mixed remove from fire and add the honey.
Quick Cake
1-3 cup soft butter
1 1-3 cups brown sugar
2 eggs
½ cup milk
1 ¾ cups flour
3 teaspoons baking powder
½ teaspoon cinnamon
½ teaspoon nutmeg
½ lb. prepared dates.
Put all ingredients together and beat for three minutes. Bake in buttered cake tin 35 to 40 minutes in a moderate oven.
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ILLUSTRATED FEATURE SECTION
IF YOU WANT Money, Love, Easy Life SUCCESS
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does think quickly. He will not seem to study very much on his law—but he will know it because he picks up knowledge easily. (Continued on page nine)
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Have you ever longed to be a law-
yer?
If you have, then study this writing very closely. It is the handwriting of one of our readers whom I have just advised to study law. He has the ability to make a great success in this profession. A lawyer is the man who influences other people. He must be able to make friends. He must be able to express his feelings, and touch the feelings of other people. This man has just the quality. He feels deeply, either joy or sorrow, and he can create a similar feeling in the hearts of other people. A good lawyer must be able to learn quickly. He must think very rapidly, because a lawyer many times finds himself in places where quick thinking is absolutely necessary. The bit of writing which we have here this week shows just such a brain. The writer of this specimen
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Septmeber 21, 1929
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The Ingenious Australian Boomerang, That Has Long Puzzled Investigators
Australia
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September 21, 1929
The Ing
Boomerang Throwing-one of the yet intricate weapons. THE original Australian aboriginal, who first made a boomerang, deserves a place in the annals of the human race equal to that held by the greatest modern scientist, for he discovered a new principle in mechanics, which has had a most far-reaching effect.
The flight of a boomerang brings into play an extraordinary manifestation of natural force. A boomerang thrown by the hand of a skilful expert, in a flat line at the start, does not eventually describe the same curve before reaching the ground, that a rifle shot does. The boomerang starts in a horizontal line and curves upwards, not downwards, to a height proportioned to the initial energy supplied by the human arm.
1940
Bright Hair Wins Says Popular Star
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La-Em-Strait hair-dressing makes the most unmanageable hair stay the way you want it. More than a million of our men and women prefer it. Takes just 30 seconds to use it. All drug stores have the 25c and 50c sizes.
MAGIC
---
When it reaches its maximum height, as it does when the initial propelling energy is spent, the boomerang does not descend in a vertical line. It comes back again toward the thrower. A real expert can make a boomerang come back again to his feet, or over his head, if he wishes it. The whole secret of the curious business is that the surface of the boomerang is not a flat plane, but is a slight angle upwards from the horizontal. As this angled surface impinges on the air, a lifting action takes place, which has exactly the same effect as if a strong wind were blowing upwards against it. The spin of the boomerang through the air produces just the same lifting effect as if a whirlwind were howling directly under the flying instrument.
What the boomerang was originally made for, no one knows. Exhibitions of skill in boomerang throwing from part of the "corroborees" at tribal gatherings, but this instrument was not used by any aboriginal tribe, either as a hunting weapon, or as a weapon of war.
The aboriginals of the west coast of South Australia fifty years or more ago, were expert boomerang throwers, and this instrument was highly prized by them, but for hunting purposes they used either the heavy barbed malee spear, propelled by a womanah, or a straight malee waddy, about two feet long, and an inch thick. These spears, waddies, and boomerangs were all fire-hardened, by being plastered with grease and baked in hot ashes.
These natives used to organize game drives, in which boomerang throwing was essential to the successful hunter. Boomerang throwing is an art, and a rather difficult one. It was once thought that only an Australian native could properly manipulate the queerly shaped piece of wood, which may be a toy, or an accurate and deadly weapon. It is now known that this is untrue. Numerous white men are expert boomerang throwers. A famous Australian soldier used to excel in this pastime, and doubtless still retains the "knack."
Not many years ago there lived at Beaconsfield, Victoria, a man who had spent days studying the throwing methods of the West Australian natives. And he became an expert himself. He made the boomerang perform the most intricate evolutions while in mid-air. He declared that
ILLUSTRATED FEATURE SECTION
Australian I Long Puzzle
they are the sole inventors of these strange
strength was not required. Everything depended upon the manner of presentation, delivery and release of the boomerang. He disclaimed any particular difficulty in throwing, remarking that it was entirely a matter of practice. There are two forms of Australian
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boomerang, the "returning" and the "non-returning." The latter is the war boomerang—as used by certain tribes.
In an article in the Australian
THE BOOMERANG
Museum Magazine, Wm. W. Thorpe gives many interesting facts concerning these weapons. "To the casual mind," Mr. Thorpe writes, "all boomerangs seem more or less alike, yet on closer acquaint-
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ang, tigators
ance, one may observe sensible differences in degree of curvature, weight and size." Boomerangs from the Queensland coast are a bit different in shape from those of the western state, and the "war boomerangs" of western New South Wales, some writers declare, vary from those of Central Australian tribes; the heavy type, however, has a wide range in the interior.
Captain Cook, who discovered Aus-
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Continued on page seven
MEET HER MAJESTY - Milady of the Chorus
As they dance, the girls are carefully looked over by manager and stage director. One after the other, girls are called aside and asked for their names, addresses and telephone numbers. Some are instructed to return to the hall the next day; others are told they will be sent for when needed. In so far as that particular show is concerned, the latter group are done for. They go away knowing that the little fiction about being sent for is but a polite way of
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closing out their hopes. In show parlance it is a "polite notice" and is so understood.
Back of this move has been some discerning observations by some persons very wise in the ways of the show shop. Choristers must meet rigid requirements. They must have, to be perfect, beauty of face and body, must have graceful movements, must be able to sing well and be possessed of a personality expressive of vivacity, flippancy, or whatever you have that arrests the attention of the baldheaded "every-nighters" in the front row of almost any musical comedy house. Only youth commands these characteristics, and not all youths have them. The combination is far more rare than one would think.
The writer has seen beautiful girls whose move was awkwardness personified; bewitching beauties whose voices were as harsh as old files; and sweet faced little things whose figures would not "behave." One must remember that there is no artful device of the customer to rescue the whirling dancing mass from the all-seeing eye of the public. The scant wardrobe of the chorus girl permits none of the clever tricks so helpful to the more prosaic of the sex engaged in other professions.
The first weeding over, those left, with the replacements of the next day, set about learning the long routine of songs and dances. Sometimes they sit about the piano running the score listening to technical descriptions of musical effects usually delivered by musical directors who feel it necessary to educate the chorus to the spirit of the number. Musical directors are hired to direct, and direct they do, even if a tired-lgged girl is so distraught that her mind is hardly capable of holding another single instruction from the Simon Legrée of musical comedy.
A week of this, and those girls who brought a bright mind—usually charged with some musical education—and their virile health into a draughty hall, are ready to begin with the principals, who up to this time have either been sitting about in austere dignity, or not present at all. There the real work begins. The numbers are placed in some relation to the dialogue of the piece, and here is where the real fun commences.
Each principal is very zealous in
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the guardianship of her own prerogatives, and very jealous of any infringement upon her chance a' fame in the show. "This big number must not come before my solo," or, "I simply won't follow that bit of talk with my number; why you leave 'em cold and expect me to revive the house. I should say not," or again, "I don't want those steps in that number, if I am to sing. They just don't suit my desires," are typical objections heard.
All of them are finally met by cabolery, or by the candid information that it will remain so, or in some instances, by submitting the chorus to the learning of a new routine. In either event, the ponies pay the price. If the irate principal won her point, the girls learned a new dance. If she lost—well—a performer who has reached the stage of doing a number with choral support knows a lot of ways of venting her spleen upon those whom she judges to be the humble instruments of her undoing. "If the stage manager thinks more of the chorus than he does of me, I'll show them that I don't share his opinion," would be the words of such a principal, if she spoke her mind. And, very often she does.
Two, three, perhaps four weeks of this grief passes slowly into memory, depending upon the class of the show. For higher priced houses, more time and a greater effort to attain perfection obtains. The profits at stake are greater. Hence the time and care. Then comes the day of ordering shoes and trying on costumes; these appurtenances have been bought
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in dozen lots. Each girl is given a set for each number she is expected to take part in. Once tried on and fitted by a wardrobe mistress who adjusts them to the needs of the individual as occasion requires, the set is bundled up and henceforth goes to and from the wardrobe trunks as the chorister's outfit so long as she remains with the show. These costumes and shoes wear out rapidly under the heavy strain of two hours dancing nightly. No salaries are paid for these days and nights of rehearsal. Managers, when once certain that one will remain with the show, and rehearsals
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The census of 1920 listed approximately 70,000 Negroes engaged in business enterprises.
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eet Her Majesty-- ilady of the Chorus
Dr. Bunker's Handwriting Analysis
September 21, 1929
Meet Her Ma-
bilady of the
(Continued from page eight)
It advanced far enough to con-
it, may advance a little money
mall amortns, just enough for
sustenance. This is charged
just the payrolls to be; and, some-
for many weeks after a show
begun its season, the girls receive
enough to pay their current ex-
es, while the management re-
s the advances made during re-
sals.
all this the chorus girl, recieves a $18.00 to $45.00 per week. Some ne especially high-priced shows as much as $70.00 for exceminal talent, but the requirements exacting and such openings are The majority of them draw dollars each Monday, if the st walks" at all. Costumes are lied, transportation is paid, and is all they have provided, except privilege of being called for adal rehearsals every time a newber is added to the cast or choir when the producer may define to change an old song for different one in any spot in the
is routine of hard work is per-
the greatest refutation of the
stories one so often hears con-
ting the ladies of the ensemble.
one who cared for the easy road
"gold digging" connotes would
as hard as these little ladies do
the neagre reward that comes to.
They are first real devotees
the art of terpsichore; and what
ore prosaic, they are honest-to-
ness working people.
don't misjudge the chorister. She bit worldly wise. So is every person who has the benefit of
Dr. Bunker's Ana
(Continued from page six)
He has a good sense of humor. This help him for a grouch never has any friends. This man will be to see a joke, even when it is himself, and such a fellow is als popular.
While all of this is true, it is also fact that this man will be honest fair with the people with whom
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travel and contact with the world. It is that same sophistication that keeps her a clean, decent sort of being who works and saves her surplus. She anticipates the tricks of men, capitalizes them for such benefits as a dinner, a present or two; and leaves the poor yokel—"Towner" she calis him in general, or "John"—wondering just how she lipped out with the excuse of a headache, a rehearsal, or early train, just when he would have bet his last dollar that he had made a "catch." She may seem "hard boiled" but have you ever seen a benefit for charity that was not made worth while by the presence of all the show girls in town, some working, but most of them spending?
I wish you could have seen as often as has the writer, the little collection taken up from dressing room to dressing room, or on the stage for anyone among their number who was suffering misfortune; or that you might have seen some of the ever recurring instances of self sacrifice that a fellow thespian might have food and shelter in time of need. The many benefits for the Red Cross fund or other charity happenings in almost every city in the land. tell where chorus girls' hearts lie. It is a safe wager that more than one chorus is supporting a star at an extra performance for which the star receives oodles of publicity while the tired girls get but an extra performance. It's a gay life if one doesn't weaken. It's a game in which youth only takes a hand and comes out winner.
Watch for the Next of Mr. Jackson's Articles.
Handwriting lysis
he deals. He is not a shyster, nor dishonest. His pride will never permit him to be anything of the kind.
You may not want to be a lawyer, but no matter whether you want to enter a profession or become a skilled mechanic or a builder of houses, you have some talent. You can make a success of your life. You owe it to your friends to make the right start—to get onto the road that will give them reason to be proud of you. Your writing shows this road. The way you cross your t's and dot your i's may not seem important to you, but in just such things you tell the truth about yourself. You paint a full-length picture of yourself on the paper as you write your name, or write your friend a letter.
You may have a personal report made of your handwriting if you will write a page, using pen and ink. Sign your name, send letter to Dr. M. N. Bunker, in care of this newspaper, with a stamped and self-addressed envelope for reply. Be sure to enclose the stamped envelope, for letters without this will be discarded.
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ILLUSTRATED FEATURE SECTION
Week-End Suggestions and Recipes
Add to the health of your family by adopting the habit of serving a fruit cup once a day. The contents may vary as the seasons succeed each other, but serve a fruit cup of some kind from January until December. Fortunately, oranges may be used as one of the fruits, all the year. They add to the flavo, are decidedly alkaline in their reaction, and combine with any other fruit used. Lemon juice should be also added, to give additional piquancy to the fruit cup as a whole.
Usually you will have sufficient juice from the fruits and the lemons used to properly serve each fruit cup. If not, squeeze the juice from two or three oranges and one lemon, dissolve, sugar in this, and use as a syrup. Occasionally a bit of cold water may be added. Serve the fruit cup ice cold, preferably in a bed of crushed ice.
Green Tomato Preserve
3 pounds sugar
4 pounds green tomatoes
3 lemons
% tablespoon preserved ginger
The above table merely gives the correct proportions. Most women will desire to prepare several times this amount at a time. Wash the tomatoes, remove any dark spots about the stems, and weigh. Cover with boiling water, let stand five minutes, drain and slice into a preserving-kettle, placing a layer of tomatoes, one of sliced lemon, then the sugar with the ginger sprinkled over it. Let the mixture stand overnight. Drain and boil the syrup for ten minutes. Skim. add the tomatoes and cook rapidly until they are clear. Pour into clean, hot jars and seal.
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Peel oranges and divide into segments, rejecting all white inner skin. Arrange on salad plates covered with lettuce. Garnish with balls of cream clese rolled in grated orange rim
Many think of preserving as applied to fruit alone. Some vegetables, however, make such delicious preserves that many jars should be stored away by the wife of each man fortunate enough to own a garden
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(Continued from page seven)
tralia, refers to the boomerang thus:
“All of them (the Botany Bay, New
South Wales, natives) were armed
with long pikes (spears), and a wood-
en weapon shaped like a scimitar
(the short curved sword affected by
the Turks).”
The natives are particularly care-
ful in the choice of wood from which
they fashion boomergngs. They see
to it that the grain of the wood fol-
lows the contour of the weapon, that it
possesses @ flat, and also a convex
side, and that it has the necessary
degree of curvature. The maximum
forward distance that the returning
boomerang can be thrown, is given by
Mr. Thorpe as about one hundred and
fifty yards. The returning boomer-
ang is as typically Australian, as are
the Kangaroo and the Emu. No ottor
race, outside Australia, ever used this
particular variety of weapon, al-
though a curved throwing-stick was
employed by the primitive inhabi-
tants of ancient Egypt, for bringing
down water-fowl, and @ so-called
boomerang is still in use among the
aboriginal people of India.
There is a great deal of misconcep-
tion, even among Australians, re-
garding the use of the boomerang.
Most people believe that all boomer-
angs will return to their starting-
point, when skillfully thrown, Al-
though all boomerangs are more or
less curved, the heavy war boomer-
angs, used in tribal fights and for
hunting among some tribes, are not
designed to come back to the hand of
he thrower. They are much eae
han the come-back variety, and
these, have one flat and one curved
surface. Owing to their shape, their
flight through the air is not in a
straight line, like that of a spear, and
for this reason an enemy finds them
difficult to dodge.
In his leisure moments, the native
of the Far North, is fond of carrying
ornate designs on his war boomer-
angs. The execution of some of these
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ecarvings, displays a high degree of
skill.
With the exception of boomerangs
(used only on ceremonial occasions,
the flat side is never carved, as to do
so might interfere with the flight of
the weapon. Frequently they are
fantastically painted with different
colored pigments, and ornamented
with feathers. But this is only the
case when some big tribal gathering
is in progress.
One authority declares that the
boomerang which returns to the hand
that throws it, is not used in war. He
says it is purely a weapon of the
chase, and is only effective against
flocks of birds when fiying.
| The method of using it is interest-
ing. A lagoon is selected, upon which
a thousand or more ducks may be
peacefully resting. One, or maybe
half a dozen natives, approach it
stealthily. When close to the edge of
the water they rush forward, shout-
fing and yelling, and at the same
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MY LOVE TANGLE This Week's True Story
It Does Pay to Be Honest With Yourself and Your Race. It May Mean Giving Up Riches. In the End You Will Be Happy. Read the Episode in This Girl's Life.
September 21, 1929
MY
It Does Pay to Be Honest We
It May Mean Giving Up
Will Be Happy. Re
This Girl
WE ONLY LEARN FROM our own experiences or from the experiences of others. I suppose there are many girls facing and feeling the need of sound advice to save them from disaster. It is for the purpose of helping such girls that I am writing my story. Bear with me, then, and do not judge me too harshly.
Eighteen years ago I was born in little town some miles below Atlanta, Georgia. I never saw my father and whenever I spoke of him to my mother she always turned away with tears in her eyes. Mother was right brown while I am lighter than he was.
Up until two years ago I lived at home, attended school and kept house while Mother worked as a seamstress or several white families.
When I graduated from the little clored "college" in our town, I saw that there was no future in the place or me, so I began to think about going up North. Mother strenuously objected. She knew nothing of our ace's progress up North. "I've been here for forty years," she said, "and I've managed to do pretty well. Iave bought and paid for this home and have a little money in the bank.oor people can't expect much more pan that."
But I hated poverty. I hated the very idea of drudging out my life ewiring or cooking or washing for some white family of the town who would perhaps despise me because was so light and yet forced to do such menial work. I swore secretly that I would leave at the first opportunity. I knew mother would never live her consent to my going. She was conservative, satisfied with things they were, resigned to her small own life, with its dull, drab, uninterrupted monotony.
Luck is With Me
Fortune fell in with my plans in a most miraculous manner. An actress, Miss DeLanze, who was visiting relatives in our town advertised for a plored maid to travel with her, to take the place of her former one who had fallen in love with a young man and married him.
Along with several other of the town girls, I applied for the job. Miss DeLanze looked us over carefully. She was tall, slender, supple, aristocratic, precise, immaculate, beautiful. She was just the type of great lady I wanted to be.
"But certainly you're not colored, re you?" Miss DeLanze asked, looking at me. "Why you're quite as white as I am!" She seemed very puzzled, assured her that I was a Negro. "If you want a maid who can also o a little secretarial work, Miss DeLanze," I suggested, remembering the course in stenography I had taken, I think I'm the girl for you."
"Is that so?" she exclaimed, looking at me with renewed interest. Well, I rather think you'll fill the ill then." She dismissed the other girls and employed me. I was overjoyed. Now I would have a chance to see the great wide world that I had longed to see. Now I would see the sights of Chicago, San Francisco, New York and maybe Paris!
But mother stormed and refused at first to let me go despite all of my pleading. It was Harold that turned the tide in my favor. Harold was my ceau; a tall, handsome, curly headed brown boy about nineteen years old whom I had known all of my life. He had always been crazy about me, worshipped me, had tried his best to please me and win my favor, but I had given him scant encouragement. He was not the sort of man I wanted to marry. He was satisfied with the old home town. I was ambitious and wanted to get higher in the world than just being the wife of an insurance agent.
So, Harold helped win mother over and I was grateful to him for it. When I was about to go he begged he for a kiss—it was his first one—and I didn't have the heart to reuse him. I thought I would never see him again and in a wav I was little glad of it. I didn't consider im my type at all, no matter what he other girls in town thought about is desirability.
Traveling Around
Miss DeLanze and I got along
pendidly. She said I was the best
maid she had ever had and I was
elighted with my very light maid
uties and secretarial work. She
ave me beautiful dresses and towns
that she had only worn a half dozen
times. They made me look one
hundred per cent better.
For sixteen weeks we traveled from
city to city. We always had a suite
"When I was about to go, he begged me for a kiss—it was his first one—and, I didn't have the heart to refuse him."
in the finest hotel in town and rich and distinguished visitors to our apartments were very frequent. By watching these people I learned much about grace and good manners. Then we arrived in New York City. The great Manhattan! The towered metropolis I had dreamed of often in my little Southern home. Unfortunately this was the end of the tour, I learned. Miss DeLanze was going to Europe and would need me no longer. She paid me off, adding a large bonus and gave me almost a trunkful of fine clothes. I was supremely happy and excited. In New York with over a trunkful of fine clothes and a hundred dollars in cash. Sixteen beautiful and alone, but without a job.
"When I was about to go, he begged one—and, I didn't have
In New York with its bright lights, its gaiety, its crowds, its theatres, its museums and parks!
For eight dollars a week I got a room not many blocks from Broadway, and proceeded to see the town. I was taken everywhere for a white girl and I didn't take the trouble to disillusion anyone. Why should I have done so? It was good for the first time in one's life to be able to experiment as a white person.
But what finally caused me to decide to become white was the news from Harold that mother had died the week before. He had taken charge of everything for me: attended to the burial, settled the estate and sold the cottage for a thousand dollars. Good old Harold!
Enter Roger Devereaux
After a month or so when I had gotten over my sorrow, I endowed to get a position. Money goes fast in New York and mine was no exception.
With the aid of the recommendation from Miss DeLaue, I succeeded in getting just the sort of position I wanted—private secretary to a broker in the mid-town section. The salary was thirty dollars a week. Needless to say, I was overjoyed.
My employer, Roger Devereau, was a young man not over twenty-eight years old. Tall, blonde, always nattily dressed, he was the type of successful business man, on the way to his first million, that I had always dreamed of knowing. He was firm, courteous and kindly, with pale blue eyes that reflected a fine soul within.
I was apt and efficient and so we got along well together. I loved my work and was well able to do all of
---
ILLUSTRATED FEATURE SECTION
ETAN
Mr. Devereaux's correspondence myself. This evidently pleased him because he cast many admiring glances in my direction from time to time.
Finally he came in one day and asked out of a clear sky: "Larra—er—a—Miss Bowman, do you ever go to the theater?"
"Why... Why yes," I stammered. Could he be going to take me to the theater? I trembled all over with anticipation and lowered my gaze to hide my emotion.
"Well," he continued, "I've got a couple of good seats for the 'Witch Woman.' How would you like to see that?" He glanced at me anxiously from under his long, sweeping black eyelashes, as he stood tapping his fingers on my desk.
I told him I would be delighted to see the famous musical comedy. He asked for my address and said he would call at eight.
I was walking on ah, as I hurried across town to my rooming place. No queen on earth was happier than I. Instead of going to my favorite restaurant for dinner, I went straight home and spent all of the time arranging my toilet. I wanted to look my best for Mr. Devereaux.
At eight o'clock the front door bell
begged me for a kiss—it was his first
have the heart to refuse him."
puzzed and old Mrs. McGraw admitted Roger Devereaux and announced him. After a decent interval of a minute or so, I descended to the parlor. I knew I looked well. I wore a burnt orange evening dress covered with sparkling sequins that Miss DeLanze had given me, and a gorgeous Spanish shawl, black with orange and white flowers, that I had picked up on one of my shopping tours. In my hand was a red ostrich feather fan. Mr. Devereaux, strikingly distinguished in his perfectly tailored evening dress, rose as I entered the parlor and then his jaw dropped with astonishment. "Why, you are perfectly gorgeous!" Le exclaimed. "You are superlatively beautiful! You will certainly be the best-dressed woman at the theater!"
"How do you know, Mr. Deveraux?" I asked coquettishly, as we walked down the steps to the waiting taxi-cab.
"Oh please don't call me Mr. Devereaux, except at the office," he objected. "Call me Roger, and I'll call you Laura. Let's drop formalities." I agreed.
He was very attentive all evening and looked at me more than he did at the stage. In my beautiful evening clothes I was the very center of attraction.
"Come," he said after the performance "suppose we run over to Nell's Rendezvous?" That's the smartest cabaret in this district."
I joyfully acquiesced. This was the life I had longed for, dreamed of. Ease, luxury, brilliantly sophisticated conversation, refined surroundings! What a contrast between this and my former Southern home
King Prempeh and the Golden Stool
We entered. The floor show was on. Jokes, laughter tap dancing, singing, jazz! What a gorgeous whirl! Like new wine it sped to my brain and intoxicated me. I glanced timidly, thankfully at Roger. He glanced suddenly at me and I lowered my head in confusion. He was so handsome!
The lights dimmed. Couples rose to dance. Roger held me firmly in his strong arms, close to him, very close, as we weaved in and out of the well-dressed crowd.
It was over all too soon Three o'clock in the morning! It was a great thrill. Without trying to get fresh as many men would have done, Roger bade me adieu at my doorstep and disappeared in the darkness. swinging his cane.
Courtship in New York
Human existence is like a ball thrown down hill. It goes on and on, first this way and then the other. Each incident may either halt it entirely, slow up its progress or increase the speed of its descent. Our affair was like that. Two or three times a week, Roger and I went out together. It was hard to refuse when I really wanted to go. He was so fine and I was beginning to care greatly for him. Then one Saturday afternoon we drove far into Connecticut in his long, blue roadster. Clear blue skies! Rain-washed air! A brassy sun beaming down on budding trees. Spring! A time for love and languor!
Suddenly Roger stopped the car and proposed to me. "Laura!" he cried huskily. "I want you... you are so beautiful; so accomplished... We ought to... get on well together... Will you... Will you marry me, Laura?". Such earnestness, such intense, honest emotion. His impetuosity swept me off my feet for a moment.
I wanted to fall into his arms and say "Yes," but the knowledge of my secret restrained me, and then, somehow or other the thought of Harold Carson came to my mind. Would Roger love me if he knew that I was colored? Did I have a right to jeopardize his happiness? Suppose I should marry him and then have him discover sometime that I was a Negro! The thought stunned me. I begged him to wait a few days for my answer. I wanted a chance to get myself together—to think over this problem. Silently we drove back to the great city. Roger let me out at my door after begging for and receiving a kiss. I dashed up the stairs and fell across my bed in a paroxysm of grief.
Harold Carson Arrived
I had been lying there fully clothed
(Continued from page four)
lo in strength and bravery.
Second Camp: We are like him, too.
Four months passed and the garrison held grimly on. It seemed as if surrender to Kobina Cheri was inevitable. But an expedition led by General Sir James Wilcocks was fighting its way through the bush, endeavoring to reach Coomassie before it was too late; while the civilized world waited eagerly, day by day, to learn the fate of the imprisoned Europeans.
At last, on July 15, the expedition arrived and raised the siege after a hard-fought battle.
The Black Relief Expedition
A significant fact: The relief expedition was composed, but for the white officers, entirely of Negroes—native soldiers and a West India Regiment. Also it was the native Africans, the Fantis and others, who by stealing out and bringing food had enabled the white people to hold out so long.
This important fact about the conquest of Africa must be noted: it is the African soldier and African burden-bearer who has done the greater part of the task. Without their aid, the white man, it is safe to say, could never have conquered Africa. It is also by grace of black men that they still maintain their supremacy.
Defiant to the Last
Among those captured in the last battle was Kobina Cheri, who had been wounded. The next day he was hanged in the market place in the presence of the army and the survivors of the siege. His courage did not fall him and he died defiant to the last.
For several months, the Ashantis fought on, charging with desperate valor sometimes to within ten feet of the machine guns. In the battle of Obasso, Opuku, chief commander.
11
for perhaps an hour. when the door bell buzzed and old Mrs. McGraw announced Harold Carson! Harold Carson! God! this was too much!
With shaking legs I went down stairs. Mrs. McGraw looking suspicious, was in the hall, standing with her hands on her hips. I knew she was angry that I had a Negro visitor. The prejudice showing in her eyes infuriated me. In a flash I realized the danger and unfairness of tying myself to Roger Devereaux despite all of his wealth.
Then I entered the parlor. Harold rose. How much handsomer he looked in his new clothes, new shoes and new hat. Seeing him aroused all the memories of home and the many happy hours I had spent in his company. A surge of affection welled up in my breast. He held out his arms in welcome, and before I could control myself, I fell into them and offered my lips to his.
"Oh, Laura!" he cried. "I just had to come North and find you. I was dying without you. I had to see you. Won't you come with me, dear? I'm going to live in Harlem and work in the insurance office there. I can't offer you much dear, but I'll be the best husband in the world to you. Please, Laura, come with me, will you? Oh. I have loved you so, ever since I first saw you, when we were kids together!"
After all, I thought to myself, I am colored, even though my skin is white. Harold is my own kind. I won't have to pretend or hide anything from him. With Roger it would be one continual fear obsession, one long reign of pretense and hypocrisy, Better to live a frank, open life with one of your own men, even though in ordinary circumstances, than a fearful existence surrounded with all that money can buy.
So I decided to accept Harold. He was delighted. Mrs. McGraw came in and found me in his arms. She was shocked beyond words but I didn't care. Soon we, Harold and I, would be in Harlem, among our people, starting a new existence.
We have been married happily for a year now. We will probably never be rich and I have long since given up hope of being surrounded with the expensive things of which I dreamed when I was a lot younger. We haven't been outside of New York except to Atlantic City and Coney Island and Bear Mountain, but strangely enough. I am happy. And vet there are times when I dream of noble and wealthy Roger Deverreaux and wonder how many girls in my position would have done as I did.
THE END
was killed; after which resistance began to lag. Peace, however, was not restored until 1901. In 1908 there was another revolt which was quickly suppressed.
The Golden Stool Removed
And what of the Golden Stool?
Its subsequent history, as told even in official documents, reads like a romance.
For twenty-five years it lay hidden, its guardians watching it with jealous care, and refusing all bribes to reveal its hiding place. Then in 1921, it was almost discovered by accident. A new government road was being built along the place where it lay buried between two great sheets of brass. The laborers were nearing the spot, when the custodians coming up, frightened them away by telling them that the spirit of the small-pox had been buried where they were working and would seize on any one who disturbed the soil.
That night they moved the Golden Stool to a safer spot.
The Golden Stool Stripped
But they had evidently been seen, for soon after, the stool was discovered, stripped of its massive gold ornaments. An old woman, seeing a gold ornament that had been offered for sale, recognized it as belonging to the Golden Stool, whereupon the whole matter came to light.
The robbers were saved from instant death only by being rushed to prison undner escort. A few hours later, the Ashanti nation went into mourning, deploring a loss greater than that of their king.
The robbers were given long sentences. As to the Golden Stool, it is said, that it was taken to England and later returned to Coomassie.
(NOTE—It was said that King Prempeh was still in exile, but we understand he was permitted to return to Ashanti in 1928 as a private citizen.)
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