Washington Tribune
Saturday, October 12, 1929
Washington, D.C.
Page text (machine-generated)
W. B. Ziff Co., 608 S. Dearborn St., Chicago, Foreign Advertising Representatives
Where
in CAB
Was I
ere JA ABAR as BOE
Where JAZZ in CABARETS Was BORN
By JAMES A. JACKSON.
This is one of a series tributed by Mr. Jackson tion. The first article appe
HOW came Jazz bands with cornets and whirling bass came the impulse that gave leader and the muted trombon
of a series of articles m
r. Jackson to the Illustrated
article appeared in the Sep
z bands with the juggling o
whirling bass violins into ve
pulse that gave social prestige
ated trombones?
This is one of a series of articles now being contributed by Mr. Jackson to the Illustrated Feature Section. The first article appeared in the September 21 issue.
HOW came Jazz bands with the juggling drummers, top hatted cornets and whirling bass violins into vogue? From whence came the impulse that gave social prestige to the swaying band leader and the muted trombones?
In general one hears that the war is to be blamed for the introduction of raucous sounds into our music, and that is about as far as the average person is willing to go toward placing the responsibility for the new musical mood of the American public. One might well say, the World, for at one time, nearly half of the famous Cefl Club of New York was playing jazz in Paris, while each winter for several years past, the Edward Morris International Booking Agency has sent bands to South America.
the effectiveness of organization among muicians. With Jazz came its handmaiden, the Cabaret.
Each day one may see on Michigan avenue, or its purlieus on the South side of Chicago, a dapper little old gentleman, whose debonair dress at once arrests attention; or, should one see him in a restaurant, one would instinctively pay the immaculate one the tribute of observing that there is a man who knows how to eat with the enjoyment of a gourmet.
That man is Charles Lett, who, perhaps, more than any other one cities like revelry fountains in
But Jazz didn't just grow, as did Topsy of immortal "Uncle Tom's Cabin" fame. Jazz, the son of the blues, is a distinctively American Negro contribution to the musical lore of the land. It came into vogue through the medium of a restaurant that was once the rendezvous of the uptown Bohemians of New York. While the music was making a way into public favor, the proponents of it were erecting a permanent home that today stands as a monument to
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1940
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Illustrated Feature Section
Frances Hubbard, of Connie's Inn, New York. She is an entertainer of exceptional ability and is a particularly clever exponent of modern cabaret jazz. Besides her singing and dancing ability her symmetry of figure meets the rigid beauty standards of the 20th century cabaret.
with the juggling drummers, bass violins into vogue? Fregave social prestige to the sw bones?
the effectiveness of organization among muicians. With Jazz came its handmaiden, the Cabaret.
Each day one may see on Michigan avenue; or its purlieus on the South side of Chicago, a dapper little old gentleman, whose debonair dress at once arrests attention; or, should one see him in a restaurant, one would instinctively pay the immaculate one the tribute of observing that there is a man who knows how to eat with the enjoyment of a gourmet.
That man is Charles Lett, who, perhaps, more than any other one individual, may be credited with giving the modern cabaret its place in metropolitan life. Prior to 1900 there were coffee shops in New Orleans. There were singing waiters in the places that were termed restaurants in San Francisco. Coney Island boasted of singing waiters, and these waiters worked in the dens that lined the Bowery when wintry blasts made the populace abandon Coney Island until another summer sun again invited one to the water side. In
Washington Tribune
ILLUSTRATED FEATURE SECTION—October 12, 1929
THE FIRST DANCE OF THE YEAR
Twenty-five years ago, these couples would have been dressed very differently. Doubtless, this was because the rough and tumble of jazz entertainment did not require freedom of movement as does modern jazz—especially the jazz found in modern cabarets. You will notice also that the young couples are well dressed and respectable looking people.
cities like Chicago, one fond of revelry found noisy voiced entertainers in the places that were mentioned with bated breath, if mentioned at all, in polite society.
All of these manifestations were attributes of the underworld and they were accorded no social recognition. Polite society knew not of them as places of which to beware. They were not cabarets, nor was the music heard therein called jazz.
made an inviting half way place for the boys and girls to stop en route to and from their publishers.
Here came Bert Williams and George Walker, then the stars of their firmament. Ernest Hogan found joy in foregathering in the little place with young Jack Nail, an admirer of the professional boys, today one of the wealthiest realty operators in the city of New York.
gathered there with the late Lieutenant James Reese Europe as the nationally known "Deaco Johnson, an officer in the National Association of Negro Musicians.
Hodges and Lanchmere lunch there. So did the few other devilians of their day. Presoon the performers of other groups began wandering into the place. With them came opera artists from the then new Metropolitan Opera House; and in the wake came the wealthy you
About 1899, James B. Russell and in Charles Lett, two clever and wide-Inly known hotel workers determined to have a restaurant that was to be different from anything that had preceded its inception. Marshall was a Canadian boy who had acquired his knack of serving the public in the old Russell House in Detroit. He was a well set up young man with education and a polished air. He also had a practical knowledge of the art of cooking, acquired somehow while he worked his way through school.
Mr. Lett, an Ohio boy, had worked in hotels in Columbus, Cleveland, Detroit and Chicago. His was a varied experience with the public and its changing moods with regard to food. The two made an ideal team. Meeting happily in New York, while both were in funds, they discussed the idea of a business and joined hands to create the establishment that bore the name of "The Marshallette," which was destined to create a remarkable impression upon the night life of the city that is hard to impress.
Mr. Lett, an Ohio boy, had worked in Columbus, Cleveland, Detroit and Chicago a varied experience with the public and ing moods with regard to food. The ideal team. Meeting happily in New both were in funds, they discussed the business and joined hands to create ment that bore the name of "The M which was destined to create a remark upon the night life of the city to impress.
The first location was in the neigh known as the Tenderloin, a district named by a hard boiled police inspect garded control of the district as "juju from his point of view. A short time show the boys that this was not the
The first location was in the neighborhood once known as the Tenderloin, a district that was so named by a hard boiled police inspector, who regarded control of the district as "juicy pickings" from his point of view. A short time served to show the boys that this was not the environment
environment for them. The Marshallette was moved from its original location in 1900 to a brown stone house within two doors of the then largest Baptist church in New York. on fashionable 53rd street, in those days the finest of residence districts.
The congregation and its minister looked askance at the opening of a restaurant so close to an exclusive church, and all of Charlie Lett's suave diplomacy was required to mollify the opposition that was set up against his business. But he prevailed, and the old brownstone residence was soon converted into a series of cute little dining rooms, each of which was invested with an air of, exclusiveness, without any of the distastefulness of the frankly private rooms then so common to restaurants of a certain type.
The show folks at once adopted the place as their meeting ground. The musicians followed suit, for there is too much in common between these groups for them to be separate in their social and business gathering places. "Tin Pan Alley," a nickname for Thirty-eighth street where publishing houses once were assembled, was but a few blocks away. The restaurant
made an inviting half way place for the boys and girls to stop en route to and from their publishers.
Here came Bert Williams and George Walker, then the stars of their firmament. Ernest Hogan found joy in foregathering in the little place with young Jack Nail, an admirer of the professional boys, today one of the wealthiest realty operators in the city of New York.
Henry Troy, now a publisher in his own name, and Irving Jones, who wrote such things as "Home Ain't Nothing Like This," "St. Patrick Day Is Bad Day," "You Must Think I'm Santa Claus," and a hundred other popular numbers, used to try out his words and music there. James Vaughn, now a musical director, knew the place in his younger days.
President Fenner of the rich Clef Club, was a struggling musician, who often had a tab on the books at the Marshallette, fore-
DEMPSEY WOODSON
In Chicago Miss Woodson is wellknown in theatrical and cabaret circles. She has been featured at the Sunset Cafe there. This is the leading cabaret of the Windy City, and of course furnishes its share of modern jazz. Miss Woodson will be known in private life as Mrs. Bob (Uke) Williams.
ABARET
ery differently. Doubtless, this not require freedom of movement secrets. You will notice also that people.
gathered there with the late Lieutenant James Reese Europe and the nationally known "Deacon" Johnson, an officer in the National Association of Negro Musicians. Hodges and Lanchmere lunched there. So did the few other vaudevillians of their day. Pretty soon the performers of other race groups began wandering into the place. With them came operatic artists from the then new Metropolitan Opera House; and in their wake came the wealthy young bloods who are to be seen wherever stage celebrities congregate. It became the accepted practice of the song writers and composers to give their wares a trial performance before those who happened to be there whenever a fellow had a new number that yearned for expression. Dancers,
(Continued on page eight)
A
BEN DAVIS, Jr. Feature Editor
(Continued on page eight)
BEAUTY for YOU
(EDITOR'S NOTE: Geraldine Fox has answered hundreds of letters on health and beauty. If you have questions about your personal health, write to her, enclosing stamps and self-addressed envelope, and your letter will be given a personal reply. Address your letter in care of this newspaper.)
Rolling Away Surplus Flesh.
GRACEFUL lines, beauty, attractiveness, popularity—all of these are for the girl and the woman who builds and keeps a beautiful body. If you are too plump, or if your flesh is loose and yielding, then it is high time that you began to give your body the attention it deserves. It doesn't take much time. It doesn't. take any money. All that you need to do is give yourself just ten minutes a day, and you can build for yourself the graceful lines that will make you the envy of your friends.
Remember, it takes only ten minutes each day by the clock. You can give more time, and it will help, but ten minutes is all you need.
The things that you do, too, are very simple. First, if you are very many pounds overweight, you can roll your flesh away. That is exactly what I mean. ROLL it away.
Menu for Bridge Luncheons
By BETTY BARCLAY
Now the fall has come and bridge clubs are being reorganized, hostesses are again facing the problem of what refreshments to serve. I attended a party the other day that was so attractive that I want to tell you about it.
For luncheon the hostess had a fruit salad, cheese straws, coffee, a frozen dessert and colored mints. It was not so much the menu though as the way it was served that made the favorable impression on all of us.
The salad was served in little wagons. The hostess had taken a toothpick and placed a round cracker on each end, thus making a set of wheels on an axle. Then she put a raisin on each end of the toothpick for a hub. On two of these axles she placed a thin strip of toast and on this she put a leaf of lettuce containing the salad. Of course everyone was impressed by the novelty of it.
while you sleep!
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Just smooth on this fragrant, super-bleach at bedtime—let it start its wonder-work while you take your beauty sleep. You will be amazed how swiftly all oiliness and roughness disappear, how pimples and eruptions vanish, while your skin grows lighter and more beautiful day by day. If you have been disappointed in other bleaches, remember Nadinola always works, quickly, surely! Every package carries our written, money-back guarantee and simple directions. Nadinola contains the most powerful skin-whitening properties known to beauty science, yet
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Makes skin whiter while you sleep
2
Lie flat on the floor, your arms straight down your sides. Slowly roll over; then roll back again. Do this at least ten times, and do it fast enough so that you do it at least twice in a minute. This will use up five of your ten minutes, but it will also roll away a great deal of fat.
Then stand squarely on your feet, heels close together, and your arms straight up over your head. Holding your balance, swing the body forward at the waist line, letting the arms swing toward the floor. If they will touch the floor without your having to bend your knees, all well and good.
But if they do not—if you find that you have a roll of flesh that keeps you from bending so far forward at the waist, just keep right on, because you need to get rid of that extra flesh—and there is no way better than this one.
Don't forget that it takes only five minutes for each of these little stunts, and you should do them every day. Don't do them today and forget them for a week, or make some excuse to yourself. Do them every day, and very soon, you will see that you are gaining the graceful lines that indicate beauty.
Another thing that attracted attention and provoked comment was the coffee. It was delicious and everyone accepted a second cup. Coffee is a most appropriate beverage to serve at a bridge luncheon. Almost everyone likes it and most of us find it beneficially stimulating. It sharpens our faculties and warms the cockles of our hearts without letting us down below normal later. But coffee, to be fully appreciated, should be properly prepared. This hostess explained that she had made hers by the drip method which avoids the cooking that so often comes from boiling coffee. She poured the coffee through the grounds but once.
Coffee should be freshly roasted, freshly ground and served right after it is made. The grind should be fine so that all the particles of the bean are broken up to release their delightful contents. Coffee that is not ground fine is not fully utilized. The boiling of coffee extracts undesirable elements from the bean and gives the beverage a higher caffein content.
er skin
it is prepared so skillfully that it cannot possibly harm the most delicate skin.
Don't let the days go by while you wish you had a lovely, lightened skin—start tonight with Nadinola! Stop at your favorite toilet goods counter today and ask for Nadinola Bleaching Cream. Fifty cents for a good-sized jar. (Extra large size $1.) If you can't buy Nadinola where you live, send us 50 cents or a dollar and we will mail it to you at once, with valuable FREE Nadinola Beauty Booklet and generous gift sample of Nadine Face Powder. Address, Dept. V; National Toilet Co.; Paris, Tenn.
Bleaching Cream er while you sleep
ILLUSTRATED FEATURE SECTION—October 12, 1929
Have you a puzzling love affair on which you need friendly advice? Write to Julia Jerome, care of this newspaper. If you wish a personal reply, please send a stamped, self-addressed envelope.
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Julia Jerome
We have a very interesting letter this week:
My dear Mrs. Jerome:
I have been married for twenty years and have grown children. About five years ago I met a man who, with the passing of time, I have come to love. He also has a family of children and his wife and I are friends; but he now begs me to run away with him. I like his wife and I do not wish to hurt her as I am sure it would break her heart if we did this. Neither do I want to hurt my husband for he is good to me and we never quarrel. But on the other hand, I want to please the man I love; and if I don't go with him I may lose him altogether. The ladies are all fond of him and this makes me very jealous. Recently he went away for a while and I nearly died. What shall I do?
MIDDLEAGED.
If you were younger I would say go with him. I gather that he must also be middleaged and probably his wife and your husband are also past first youth. Therefore, you have all established views and habits. The breaking up of the two homes will for this reason cause much pain. The memories of your first marriage and of your children, whom
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you will probably not see again, are liable to haunt your new adventure. If you are a very strong woman and your love for the man very powerful and the man himself very honorable and trustworthy then you would have a chance of happiness. But if you have a deep sense of obligation, and your letter infers this, I am afraid you will be miserable thinking of all the pain you have caused.
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fear some Big in Chicago
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I gather, too, that you fear some other woman may get your sweetheart if you don't. If he is this sort you will never be able to trust him. No, don't go. I fear you would risk too much.
With the passing of September, the preserves closet should be fairly well stocked for the winter. Late fruits, however, may be preserved during the month of October, particularly in the north, while pickling should be at its height. Do not neglect the late fruits. The more you can, the greater will be your variety and the more opportunity you will have to place novel dishes before your family and guests. Use fresh, unmarred fruit if possible, and do not hesitate to use liberal quantities of sugar—a valuable fuel for winter, that will supply energy more promptly than almost any other food known.
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INAMBAS (DAUGHTERS ssa
HEYWARE
of
A Story of Sacritice, Romance, Humor and Tragedy ._. Porcy
INSTALLMENT II. “the oblivion of sleep. Below theéwhen Ah teck de clo’s tuh de bovséflood again. Existence had its com-éhad been discussing the matter,
ee ae ee a et
almost» second nature to her, and
that she considered in character in
@ white folks “nigger,” Mamba took
her way downtown. When she had
travelled for twenty minutes over
the scorching pavements she turned
from Meeting street into a narrow
‘lane shadowed by. high . buildings
that led to the Negro quarter. In-
“stantly a change was noticeable in
; her manner. She ees the mine-|
ing step for‘a long, slouching stride,
and breathed deeply of the damp
coolness that emanated from the
Tapp). set ‘eacoped het ‘tips, and
ppy § T
her eyes narrowed to slits of amused
insolence, A waterfront “nigger”
now, and able to hold her own with
the best. of them.
Wharf smells blew toward her
down the narrow alley; sulphurous
fumes from the mud fiats, fish from
the smacks on the beach. The stench
of a he-goat filled her nostrils. She
sniffed it delightedly and looked
about her. - Porgy, the crippled beg-
gar, was across the way, his little
goat cart drawn up in a cool arch-
way. He was eating his lunch, and
he paused to_hail her. “Do look
at Mamba. War yo’ been all dis
time, Sistuh?” “Oh, Ah jest been
tuh gib my white folks a little outin’
tuh de seasho’,” she threw back at
him. She slipped on a rotting water-
melon rind, sprawled fiat, and came!
up smiling. An emaciated cur crept
from behind a garbage can and
bared his teeth at her. She cursed
it with a deep and fluent affection,
and it recognised her kinship with
@ gay bark and @ smap at her skirt.
Mamba turned south at East Bay
and walked along in the shadow of
the tall brick buildings that had
once been occupied by the aristo-
cracy but which had long since for-
ee their proud heritage and oe
lack. This was home. Everywhere
there was colour, sound. That drab
and profound melancholy which
settles upon @ house of high estate
that has fallen a @ white ste
was conspicuously lacking ere.
When a shutter had gone it had
been replaced with a new one of
parrot-green or vermilion. New spots
of plaster were daubed with pink or
yellow wash, and that particular
tint of cerulean made by the Ne-
groes by the and economical
ag: of di washing bluing
into their itewash was splashed
lavishly over oe and cook-
shop fronts. Nor was there in the
ee of oe ee ee the sul-
len resignation or. smouldering
—_ Boe the white who has fallen
6 Slum le. Here grievances against
Fate were forgotten in song. To~
morrow would be time enough to
worry. Thefts and loves were casual,
frank, and gay affairs. The corro-
sion of hidden sin did not mark the
faces, for the consciences that might
have been sitting in judgment had
not yet been seourged into conscious-
ness, There was only the ice.
One was caught and had 3
one escaped and was innocent. How
marvellously simple. No wonder that
even in the noon heat there were
song and laughter in the houses that
Mamba passed.
Arriving at a narrow archway be-
tween soaring brick structures the
old woman entered and presently
emerged. into a court, See and
cool beneath its surrounding walls.
Several women looked up from along
the interlacing clotheslines and hail-
ed her. “Well, ef here ain't Mamba.
ae iS mr iyo .
“Polly,” replied happily, “berry
polly, tank Gawd. Whar Hagar?”
Two of the women tittered, and
the one who had spoken to Mamba
addressed them sharply: “Shet yo’
damn’ wutless mout’.”
Instantly the visitor’s expression
changed. “What wrong, she ain't
drunk again?”
a are ae ee broke
out su ly in a lo bullying
voice that was oddly at variance
with the pain in her eyes: “Ah bet
Ah goin’ hab tuh tek de hide off
dat black debbil. Ah can’t leabe
she fuh a week widout she git drunk.”
She strode to an entrance, stamp-
ed up a flight of loose steps, and
kicked open a door. The’ embalmed
remains of many smells rushed out
to greet her, She knew them all,
Joved them, but above them now
floated the peculiarly rank effiuvium
of drunkenness. She crossed the
Soman tal cie Do ee ee
legro woman was sprawled.
arms thrown over the head were
muscled like a stevedore’s, and there
was a strange i between
the masculine shoulders rising high
SLUSTRATED FEATURE SECTION—October 1’ » 1929
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Slowly the eyes opened and instantly an observer would have known the
two women were mother and daughter.
the oblivion of sleep. Below the
rehest. the body was not ungainly,
the swell of the hips scarcely notice-
able, and the legs, slender and power-
fully thewed, seemed —— maseu-
line. A creature designed by nature
to bear her young, then, singie-
handed, to-.wrench their sustenance
from 4 harsh physical environment;
‘an enormous maternity and the
Muscles of a fighting male bound
Po ni ep eather nape eed Penge a
mise tue nel ecient io ioe
pre- rT 5 vi in the
nandig ot riddies. And here -she
was in a land ef paradox. Glass
in the windows; Christ in His little
ear ae eee ciepeceney :
‘across
ee a ——- on the corner.
to shake the inert bulk. Then she
crossed to the washstand, returned
with she ore ji tee a
juan water int e sleeping
face. Slowly the eyes @pened, and
instantly an observer would have
known = them that the two women
were r and daughter.
Mamba flung herself forward as
though in an effort to. drive her
words into the dulled braim: “Yo"
dutty houn’. Yo" done promise’ me
not tub git drunk while Ah’s gone,
an’ now Ah fin’ yo" like dis. Wake
up and tell me—whar’s Lissa?”
‘The woman moved her arm heavily
a
years of age. Mamba pounced on
the little form and carried it to the
Poured te Ipsos (ie tnle® fare
over 's face,
Bnd it its eyes. There they
were warm, and of that pecu-
cae ae. oe
e eyes yy
the child unmistakably with the
other two occupants of the room.
The baby threw its arms around
Mamba’s neck, and she hid her face
wk seen Gee eee
ear, sl wi
unlike either that of its mother or
eee, te * ee eee
Hagar was now. She lurched
ever “50. slightly_as ‘she crossed. to
the washstand, filled a dipper with
water, and dashed i over herself
careless of where it fell. She shiver-
ed, but the shock brought her
waking her drugged nerves, stiffen
ing and co-ordinating Her ’ muscles
ee cee had finished
Pontent She aie AR aot aie
™ es eg sOrty, <
Ah stay straight ‘til las’ might. But
lo’s tuh de boyséflood again. Existence had its com-éhad been discussing the matter, and
fan de Pilot Hoy, dey ‘hab plenty. ob
on. 01 y y_ol
licker an’ dey done drunk me. But
yo’ can’t say Ah ain't tek good care
‘of Lissa. Ain't she well an’ fat?”
“ant 90. ace dere lf, aftul
“Ain’t yo" ie yo’ self,
all ‘Ah gib ‘up ful yo’ chile! Here
yo” ain't gots nuttin’ tuh do, oe
meet de steamer an’ wash fuh
sailor, Yo" gots yo’ own home tuh
lib in, and yo’ frien’ rown’ yo’, an’
yo’ gots yo’ baby fuh pet. an” handle.
‘An’ all Ah. ax is dat yo’ keep sobuh
an’ don’t = lock a at jail. T'ink
on dat, den ‘mem! what Ah's
doin’ fuh ts baby so she kin hab
chance in worl’. Leabe my frien’,
an’ de talk an ‘all, an’ put up wid
de damn’ Dmg wite folks.” The
strident v: wavered then rose to
@ note of protest: “Ah swear tuh
Gawd my belly fair ache from de
pure polite. Some time Ah t'ink dat
ef it ain't fuh dat boy, Saint, Ah’d
hab tuh gib up tryin’ an’ tell ’em
all tuh go tuh hell.”
Hagar’s brain had cleared, and she
came back Promuely with: “Well, ef
dat’s de way yo’ feel, yo’ can’t blame
me fuh gittin’ drunk some time. Yo’
is talk lot ob talk, but it look tuh
me dat yo" is done lef” yo’ w'ite folks
now an’ is settin' here. Yo’ ain’
gots so much tuh growl 'bout.”
“Well, Ah’s goin’ back soon’s dey
gits tuh town.”
Hagar’s lazy contralto sounded:
“Sho yo’ is. An’ ain’t Ah sobuh now?
An’ ain't Lissa fine? What done
is done. Fergit "bout it.”
Several women, hearing the laugh-
ter and eer that whatever
scene there might have been was
over, came in.
Mamba was lolling back in a
wrecked rocking chair with the child
in her arms. She called to one of
the new arrivals: “Ah gots ee
tuh ask yo’, Sistuh. How muc
‘time Jedge Harkness gib yo’ man de
‘las’ time he put um up?” .
“De las’ thne?” :
“Sho, de las’ time. Ain't yo’
‘membuh fuh steal dat butts meat
‘out de freight car?”
“Oh, dat time! Lemme see—he
gib um. sixty days.”
“Well, den, pull yo’ chair up here
jan” lisseny tult dis.”
‘Then Mamba gave them the story
of the judge’s teeth.
‘The room shook ee
African laughter. slapped
home-coming men io ea to
were
‘their Agen ae iemeral even-
Swept cool through the open
eiaow: and ee near ae =
cooking caltenre for supper.
old woman Ifie’s tide was at the
Tae ce ee a ee Me eae
sweet wind travelling over the roofs,
causing the leaves on the great. trees
in the Battery gardens to whisper
their valedictories, os the choppy
Mode Leone — eg Resi~
lent ret rT long sum-
mer in Hat Rocks White Sulphur,
Europe. Busy housemaids stripping
linen bapeas and bo aoe ma
the furniture that been dozing
the days. away in hot darkness.
Rugs going down. Cedar and cam-
phor in the nostrils. Legare street
and Battery coming to life again.
New people seppetne here and
there, renting old houses, noe
purchasing antiques, ee say
UBaion’ of indigebousness. Bouse:
of indigenousness. use ~
wives, with an carey at was in
itself a fatally alien admission, hustl-
ing a Duncan Phyfe table into the
hall behind the colonial doorway, and
searching for a servant sufficiently
antique to ee at home beside
the Duncan Phyfe. Very effective,
these old Negroes, looking as though
they had been “born in the ee
meeting the guest with a Sheffield
card tray. And economical, too, for
they could be obtained at from five
to seven, dollars a week, where an
inanimate Lone Maa have cost
several hundred dollars.
When the Wentworths returned to
town they found that, the large
frame house that crowded their lot
on the south and which had ie
cant oceupied. mt ae esis or
‘ roug! ie Oj
windows came sounds of irresistible
energy being applied to obstinate
masses, and a loud, clear voice roll-
oe R's.
. Wentworth drew on_ her
gloves with an air of resignation.
“Come on, Polly,” she said, “we
might as well have it over with.”
“Oh, what's the use, Mother? We
are never really going to know them.
It’s so silly being polite now, then
having to snub people later.”
“You are forgetting your man-
mers, my dear. Calling on neigh-
bours and making them feel at home
in our city is one thing; making
friends quite another. Get your
gloves, now. This is a formal oc-
casion.”
In an upper room of the house next
door, Mrs, George J. Atkinson paused
in the middle of her instructions to
an aged Negro who was assembling
a@ four-poster. She took the cards
that were handed to her by a breath-
less maid and ran her finger ap-
praisingly over them. This was evi-
dently not reassuring. She looked
at them ay. and found that oe
were written in a fine, clear hand.
“James,” she said in her _ incisive
voice, “who are the De Chatigny
‘Wentworths?”
‘The man looked at her from under
a eyebrows. After a moment
said: “Dey is de Wentworths,
“Ts that all you know? The card
a that they are the Wentworths.”
hastened to set her straight.
“Ah ain't say dat dey is de Went-
worths, Miss, Whut Ah say is dat
dey is de Wentworths.” Then, after
@ pause during which he looked
hopefully toward her for some sign
of understanding, he added, “Dey lib
in de little brick house nex’ do’,”
“Oh, she’s the woman who keeps
the summer ee ee
that silly-looking, long-legg Ny.”
She turned to the maid with her
er efficient manner.
her that I am not at home.”
But the servant had not reached
the door before she was _ stopped.
“Wait a moment. I'll go down. It
is just as well to be on speaking
terms with one’s neighbours, Stay
and help James with that bed and
come down in five minutes and say
that I am wanted on the telephone.”
When the maid entered the draw-
ing room with the message, the
‘entworths were sitting very erect
in their Chinese sm gine chairs
ee eS
. ni
toast imagine,” she a
“ be was saying,
“taking boarders all summer. ‘and
Mrs. Raymond tells me that you take
in fancy paving I must re-
member that Ihave some work
e be a by really, you a
ye help me mar!
new linens. ‘What is it, Mary? oh.
the baie amen Yes, im a moment.
Oh, must you sone get Well, thank
es for calling. fery neighbourly,
In the street Mrs, Wentworth said:
a Polly atigwered in Bate tie
a
down, to. you im that ‘My ia wom
‘an’ tone of voice. Be a good Chris-
-
eee dS ie ee ee Oe eee
there’s no use dwelling on the tg-
ae of other peoee,” she was
remarking. “They simply aren't our
kind. For methey do not exist.
That is all.” She turned to depart,
then she gave a_ slight start.’ A
stranger had entered from the
kitehen door, and stood silently in
the room watching them, “If you
‘are waiting to see Maum Netta. she
will be in the kitchen og she
told the Negress. “Close the door,
please, as you go out.”
But the woman advanced toward
the little group and stood looking
from one to the other with the man-
ner of one who has a thrilling and
mysterious secret. in her keeping.
She was of medium height and
weight and had about her an air of
eminent, almost assertive impecca-
mae Her cas was oer 8
spotless apron, .
was a white eoabiek tits with a
ruffle that shaded her eyes. Her
Tiege moult with ‘tnmly. compressed
mo compresse
lips and a squareness about the low~
er face that gave it.an expression of
grim severity. During a moment of
eae silence she stood survey-
ing the group, then slowly and de-
liberately she smiled, tea e a
double row of masculine 5
Saint's voice, drawn aad in-
credulous, broke the silence: “Well,
Til be damned!”
The visitor bent double in a par~
oxysm of silent laughter.
“Mamba!” chorused the room,
Polly came immediately to the
point: “Where in the world did you
get them, Mamba?”
“A kind gentleman whut lub de
‘nigger’ gib dem tuh' me. Gawd
bless um!” 3
A. picture flashed into Saint's
mind: hot summer. sky, sand, Judge
Harkness in full flight, and Mamba
srtuging aboard the _ rer ee
as oe speed. “Yes, he ”
he said.
by wee the spark of understand-
ing = around the circle. Maum
Netta had entered a moment before,
and it eee her up standing, with
a look of rrified disapproval. It
confounded Mrs. Wentworth with a
simultaneous compulsion to laughter
and the obligation to be stern, It
took Saint and Polly and flung them
forward on the table in convulsions
of mirth,
Almost immediately Mamba re-
covered her composure and stood
waiting for the laughter to subside.
She was not there to be amusing
now. Four years had gone into
building toward this moment; four
ee of aPiey, flattery, clowning.
at typical = bent, double
with hands on her stomach, had been
given only as an unmistakable re-
velation of an Sy to which she
was in the very act of bidding good-
bye. She was emerging as a new
entity now. The strange assortment
of accessories that had gone into her
make-up: cast-off clot ne of Mrs.
Wentworth, teeth of a guished
duels, manner sedulously copied
rom Maum Netia, apron and cap
from God knew where, were losing
their separate identities, merging
into the new ego that they were de-
stined in the future to en,
Finally, while the lentworth s
watched, the transformation wa;
accomplished, the last sense of in-
congruity departed, and Mamba stood
before them recreated in her own
conception of the ideal toward
which she had been striving. In
some aac manner she seemed to
dominate little room in which
she had until so recently come and
gone on sufferance. She brought a
new, compelling element into the at-
mosphere that seemed on to dis-
turb the ancestral rhythm of thought
and action. The room was very
quiet. The ae 5 change from
hilarity made silence seem
ominous. Mrs. Wentworth cleared
her throat. Polly sat with a blank,
mystified stare. Only Saint seemed
to have his bearings, and looked up
with a faint smile into the shadowy
eyes under the stiff Pe
When Mamba spoke, voce was
low and tense. She must have
Sout tee speech out with care,
for was no hesitation, no’ hedg-
| ae. She was Se, in earnest.
years. of ver were over.
‘These white people had given her
Much, but she had been careful to
pile up the countless little uncom-
Beier wae ae fa mate
was in favour. ‘There
need be no talk about it. Real white
folks did not need to bargain. She
knew and they knew. Now for the
_ “ah tuh get uh job now,
STA gots tuh get uh pay job. nom,
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(Continued from page 3)
here, yo' knows Ah ain't a real house-rais' 'nigger,' but dese new w'ite folks whut comin' tuh Chas'n now, dey ain't knows de different, an' dey is want ole-time house-rais' 'nigger' whut use' tuh b'long tuh de quality. Ah is axin' yuh tuh gib me letter an' say Ah is raise' wid yo' fambly."
"But, Mamba! That would be an untruth," exclaimed the dumfounded lady.
The old woman leaned forward and looked into her face.
"Ah gots tuh hab um, Miss. Ah gots tuh."
Mrs. Wentworth studied the figure before her, a strange fragment of human flotsam that had been seized and animated by this transfiguring purpose. How little she really knew of Mamba, after all. Where had she come from? Why had she sought them out?
"Tell me," she said, "why are you doing this?"
"Tain't fuh me, Miss. Ah kin tek care ob Mamba. But time is changein'. Nigger' gots tuh git diff'ent kind ob sense now tuh git long. Ah gots daughtuh, an' she gots daughtuh, an' all-two dem female is born fuh trouble. Ah gots tuh be ready when de time come."
"And this granddaughter of yours, how old is she?"
"Yuh 'membuh when Ah fus' come an' bring dem flower fuh Little Missie?"
Her listener nodded.
"Aw go on and give old Mamba the letter," urged Saint. Polly's eyes were dancing with excitement. "I've got it, Mother," she cried. "We'll get her some recommendations and send her to the Atkinsons. She's pretty hateful, Mamba, but she's rich as all get-out, and she's dying to be thought somebody. Only, if we fix it up for you, you must promise to get everything out of her you can."
"I think that is a disgraceful proposition," said Mrs. Wentworth. "In fact, I am so surprised and shocked that I will leave at once and attend to my business on Broad street." She opened the door, then turned back for a moment, and the three in the room saw the corners of her mouth twitching irresistibly as she added, "And I want you all to behave properly while I am gone and do not do anything that you would be ashamed of."
She turned to Mamba. "Good-bye, and good luck," she said. "Remember we are old friends, and come and see us some time."
The old woman gave her one of her looks, so uncanny in their power to convey emotion. The eyes were a little misty, but behind that there was laughter. "Gawd bless yo', Miss," she said a little shakily. Then she whirled her skirts in a courtesy, essayed laughter, and ended by wiping an eye in a corner of her apron. "Mother's a dear, but she's a fraid cat," commented Polly when the door had closed.
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"She's a brick," amended Saint as he rummaged for pen, ink, and paper in the secretary. "All right," he said a moment later, "let's go. What's your last name? You've got to have one in a recommendation, you know." "Whut yo' say dat lady name?" "Atkinson." "Now, ain't dat funny. Dat my berry own name. Ain't yo' know my pa use' tuh b'long tuh de Atkinsons? Yes, suh! My ma raise' wid de Wentworths, ain't yo' 'membuh? But my pa raise' wid ole Major Atkinson who use tuh own fibe 'tousan' head ob 'nigger', an' de bigges' plantation on de——" She hesitated for a moment while she weighed the glories of cotton against the importance of rice, decided on the latter, and closed with "Copper Ribbuh."
Behold Maum Mamba. Observe her well, for you have never seen her before. It is the month of November, and the two Atkinson children are playing among the blowing leaves on the Battery. They are nice red-cheeked youngsters, and they love their Maumma. It is true
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that they love her less when their mother is about, and she sits with folded hands, and solemn face watching their every move. But for the most part the three of them play together unobserved. Then Mauma has been known to perform miracles. Before the children's very eyes she has removed her teeth and, holding them between thumb and forefinger, has snapped them playfully at a dandelion or leaf. At times she has even allowed Jack to wear them to scare the Rutledge children until they have run screaming to their proper nurses on the benches. Oh, what fun! She is also content to let her prosy contemporaries have a complete monopoly of Brer Rabbit and Bref Wolf, while she tells her charges of glamorous and terrible things that happen in real life down where the ships come in. Then there are other moments when they have seen her cast a careful look about to make sure that she is unobserved, then slip to the street at the garden's edge and engage in long conversations with certain low hucksters and fish vendors who may be
passing. To Jack, who is eight years of age and precocious, these moments are particularly valuable, for he has learned that by approaching stealthily he can enrich his vocabulary with words that confound his puerile comrades with their little hells and damns.
Yes, indeed, Mrs. Atkinson has every reason to feel that fortune has smiled upon her in sending her Mamba.
"Yes, my dear," she is saying to a friend with whom she is sitting on the Battery on this particular November afternoon, while the children play innocently near by and their guardian angel sits watching them sternly. "Yes, indeed, my dear. We got her through the most marvellous luck. She belonged to the South Carolina branch of George's family, you know, and with that fine old-fashioned loyalty that one encounters all too seldom in these days, she came and offered herself to us as soon as she heard that we were in town. And she had splendid letters, too, that would have placed her any-
where."
The listener smiled sympathetically. Nothing more is needed. Mrs. Atkinson continues: "Not many of them left now, and what I say is that we should treasure those who are; if for no other purpose but to set an example to the upstart generation of Negroes."
"Yes, indeed," as Mrs. Atkinson would say. Patience, application, singleness of purpose have reaped their reward. Behold Maum Mamba on the Battery on this particular November afternoon and say if she has not at last arrived.
Affairs had gone badly in the little brick house. If, at fourteen, Saint had been a problem to his mother,
(Continued on page 6)
LISTEN. If we send a great book on Oratory and a book with hundreds of prayers, also a circular by which you can get addresses for all occasions, at small cost, will you take them? LIC SPEAKERS SOCIETY, Box California.
Ira Aldridge, the Negro Dramatic Genius
By J. A. ROGERS International Correspondent and Author.
HE Chevalier Ira Frederick Aldridge. Negro America's most illustrious son, was born in the opening years of the nineteenth century, probably in 1810. Like many another great man who rose from humble surroundings and left no autobiography, his early life is clouded in conjecture.
There are two stories. One is that he was born in New York City, the son of an African prince and a colored American woman. This prince, it is said, was the sole survivor of a revolt, in which the king, his father, together with his family, had been massacred. Rescued by missionaries the prince was taken to America and trained for the ministry, becoming a successful and well-known preacher.
With the aid of the missionaries, the prince sent Ira to be educated for the ministry at Glasgow University, but enamored by the stage, he left the church. The second, the more romantic, and yet more likely story, is that he was born of humble parents at Baltimore or Belaire, Md., or probably New York City.
Taught by German
In his youth he was apprenticed to a German shipcarpenter, thus reminding one of another great Negro who also lived at that time: Frederick Douglass. Here, it is said, Aldridge learned German and picked up what education he could. From the shipyard he went to Wallack's Theatre, where he filled some menial employment. But here he met many of the most noted ac-
The image shows a person dressed in traditional attire, likely from a historical or cultural context. The individual is wearing a long, flowing garment with a headscarf, and is holding a sword in their right hand. The background is plain and does not provide any additional details.
Ira Aldridge as he appeared in Othello
---
---
#
The Amazing Story of a Negro Stage-Hand to Whom the World's Greatest Monarchs Threw Open their Palace Gates.
tors of the day and was fired by their example to reach that goal which nearly every ambitious actor of the time had set for himself, namely, to be a great interpreter of Shakespeare.
Taken to England.
It was here also, that he met Edmund Kean, one of the greatest of all Shakespearan actors. Kean, it is said, was so struck by the young Ira, that he took him back with him to England in some sort of capacity—as servant or secretary, probably.
---
ILLUSTRATED FEATURE SECTION-October 12, 1929
But it was in the dark-skinned roles such as Othello that he was best. The day and was fired example to reach which nearly every actor of the time or himself, namely, great interpreter of fire. As the encyclopedias point out, there is invention somewhere in the story of Aldridge's early life. It is probably that of the prince and king story which may have originated with some enterprising press-agent. made his debut at the R in London, where the oat once stamped him a spearean actor of the first critics were most effe praise, and from then he was a made man. Let gratulation poured in on them being one from K and another from Knox the foremost dramatists.
In those days, and even in these, the dark Negro who distinguished himself, was given royal origin. If he was light, it was his white ancestry. Another dark American Negro, very much known in both Europe and America and who comes from the humblest environment, was recently spoken of by a leading European newspaper as being of royal African descent, although to the best of our knowledge, there is no foundation whatever for the story.
Life of Thrills.
But let us leave these questions of origin and early life aside and come down to that part of Aldridge's life of which there is no doubt. For independent of them, his life is full of thrills and inspiration.
Living at the time he did—that's before the Civil War, his life sounds like a fairy tale—except that in fairy-tales things happen by magic while in Aldridge's case it was the magic of work—hard, grinding, nerve testing work.
Shakespeare said: "Some men are born great; some achieve greatness; while others have greatness thrust upon them." Of Ira Aldridge all three were, in a measure, true.
Possessed Great Intellect
Aldridge's first appearance was as an amateur in Sheridan's "Pizarro," where he played the role of Rolla, with distinction. Following this he played in minor theatres with success, and returned to America in 1830. But the proposed American tour ended in flat failure, and he returned to England.
It was a bitter blow for him but years of disappointment and almost despair were ahead of him. He had set his heart on playing Othello and during this period he tried manager after manager in vain. But he studied hard in the meanwhile, mastering the minutest details of the role.
Made Remarkable Debut
At last his opportunity arrived. He
made his debut at the Royal Theatre in London, where the excellence of at once stamped him as a Shakespearean actor of the first rank. The critics were most effuse in their praise, and from then onwards he was a made man. Letters of congratulation poured in on him, among them being one from Kean himself, and another from Knowles, one of the foremost dramatists of the time.
Acclaimed on Tour
From London he began a tour of the provinces accumulating fame as he went. Nor did he confine himself to Othello. He had mastered other Shakespearean roles and he played these as well. But it was in the dark-skinned roles such as Othello, Aaron in "Titus Andronicus," also Gambia in "The Slave"; Narambo, and Oranooko, he was at his best. In Belfast he played Othello to Kean's Iago.
Crowds flocked to see him and so great was his name that the theatres were sold out days in advance of his coming. The press hailed him as "The African Roscius," and as such he was now known.
Roscius, it will be recalled, was preeminently the greatest actor of ancient Rome. Though born a slave he rose by sheer force of genius to a position of first rank under Julius Caesar. Cicero himself, esteemed him as a friend, and did not disdain to learn from him.
Othello. Greatest Role
Madame Malibran, leading prima donna of the time, went to see Aldridge, and was so impressed by his acting that she wrote him: "Never in the whole course of my professional career have I witnessed a more powerful and interesting performance," while Lady V. Beecher, herself the most noted tragedienne of her time, wrote: "During my professional as well as my private life I never saw so correct a portraiture of Othello amidst the luminaries of my day."
Returning to London Aldridge appeared at the Covent Garden Theatre as Othello, where, according to The Illustrated Life of London, (April 30, 1864) "his success was the most complete."
So masterful, so perfect in every detail was his acting that one would have thought that Shakespeare in creating Othello, the majestic Moor—"The noble Moor whom the full senate of Venice called all-in-all sufficient," had used him as the very model.
Othello, it will be recalled, was the commander-in-chief of the armies of Venice at the time when that nation was at the height of its glory. He was a formidable warrior but with the soul of a child when it came to guile and intrigue.
Possessed Commanding Physique
In physique, too, Aldridge fitted the
part admirably, he being of commanding height and presence with a well-developed body, and a carriage of great dignity. Into his acting he would put so much fire, so much realism, that at times members of the audience would be forced under the tension to rise out of their seats. One of the passages in which he was most effective was the following in which he laments the death of the beautiful and innocent Desdemona whom he had just smothered:
Famous Passage
" . . . Whip me, ye devils,
From the possession of this
heavenly sight!
Blow me about in winds! roast
me in sulphur!
Wash me in steep-down gulfs of liquid fire.
Oh Desdemona! Desdemona!
Dead!
Oh! Oh! Oh!"
At these moments he created such pity and indignation in the minds of his audience that some would rise to their feet demanding the punishment of the guilty Iago.
But immense as was his success in England it was as nothing compared with that he was yet to attain: In 1852 he left at the head of a troupe for Germany where he played for the next three years in that language in nearly all the chief towns. Duke Bernhard, ruler of Saxe-Meningen and brother of Queen Adelaide of England, knighted him, making him a Chevalier of the Royal Saxon Ernestinischen House Order, and presented him with the Verdienst Medal in Gold.
Decorated by King
At the Royal Opera House in Berlin King Frederick William IV, was so thrilled by his acting that he ordered the Gold Medal of Science and the Arts struck in his honor. The only other personages to be so distinguished up to that period were Humboldt, famous naturalist and philosopher; Spontini the composer; and Liszt, the great musician.
In Austria-Hungary his triumphs continued. The Imperial Histrionic Conservatory of Pesth elected him to membership and gave him the large gold medal. The Imperial and Arch-ducal Creche Institution, composed of the leading members of the nobility and artists of the first rank, elected him to membership for life. Accompanying the notification was an autograph letter from the Emperor of Austria-Hungary, complimenting him on his superb genius.
Receives Medal
In Switzerland, the City of Bern presented him with the Gold Medal of Merit; in Sweden, where he went on the invitation of the king, still other honors awaited him as well as in Belgium. In Russia, as the guest of the Czar, he played before the latter and his Court in the Imperial Palace and so impressed the Czar that he presented him with the First Class Medal of the Arts. He was also made a member of the Versamlung, and was elected to life membership in the Russian Imperial Academy.
Penetrating into Asiatic Russia he continued his triumphs. In Bessarabia, the highest honor possible was conferred on him: he was made an Associate of the Order of Nobles.
Students Worship Him
At Kasan, the capital of Mongol Tartar, the students of the Imperial University presented him with an inscription in Latin, of which the following is a translation:
"The undersigned students of the Imperial University of Kasan feel bound to express their deep gratitude and veneration for the greatest actor of our time, the Master, Ira Aldridge, for the happy moments afforded them by his genius and artistic skill. They are aware that the great tragic actor is above all praise, but while convinced that their words are altogether too feeble to express his merit they are desirous of proving by this address that they will ever cherish the memory of him who first taught them to understand the immortal works of the British poet."
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e SS) om 0D ©
a Ve lWomans Tonic
6
(Continued from page 4)
he was now, at eet her de-
spair. It was not the was un-
willing to work. On the contrary,
he hailed each new pos that
was found for him with eagerness
But the habit that had .been. given
to him in school had deepened rather
than dissipated when~ met by. the
harsher. realities of life. The im-
mediate and. inexorable array of
facts that faced him with each new
vocation brought bewilderment to his
untrained mind. His thoughts veered
from the task of meeting and arrang-
ing them, leaped the gap - between
the bottom and ep of ‘the ladder,
and solaced him with a fool's para-
dise of pictured triumphs. ~ ¢
Unfortunately there ‘were pnty cer-
tain occupations that -a gentleman
could follow in Charleston without
sacrifice of family Gignity, and if
one were handicapned bv the lack of
@ professional training these were re-
duced to a minimum. One could
work in a bank, or one os tne pond
and real estate offices on broad
street, One could become a cotton
expert, or even a broker in the
wholesale district along East Bay.
Strange to say, in spite of the unholy
stench and overalls, one could seek
employment in the great fertilizer
factories beyond the city limits. But a
gentleman seeking a livelihood in the
early nineteen hundreds could not
engage in any branch of the retail
business without imposing upon his
humiliated family the burden of in-
cessant explanation.
Through the intercession of a dis-
tant relative, an outdoor clerkship
with one of the banks had been ob-
tained for Saint. It had been a fa-|
tal nae: He had approached |
&% with enthusiasm, slightly blurred |
by his distrust of arithmetic, but
genuine, nevertheless. Now he could!
see, after the short period on the |
street, a high standing desk in the big |
banking room, then a roll-top desk in |
a small outer office, and finally the di-
rectors’ room with himself seated in
the massive chair at the end of the
table. On the first day he had stood
looking down that alluring perspec-
tive until he had to be ce to
twice by the cashier before he heard.
This so distressed him that he penal-
ised himself by memorising a cotton
warehouse ‘receipt, although he
eould not make head or tail of the
legal verbiage. His outdoor work
took him to the cotton offices on the
wharves, and therein lay his -com-/|
plete undoing, for there were the
ships and the Negroes waiting to be-
tray him into Jone unexplained ab-
sences. At the end of the first week
Benny: career came toan abrupt.
end,
Other jobs followed: a swift dis-
iusioning procession of them. Be-
wildered and baffied, the boy met
them, groped among their intricate
mechanisms, felt them - slipping
through his hands, and was power-
less to retain them. Finally,-on a
dark winter morning, he stood be-
fore a door with a panel of ground
vlass upon which was painted in|
Es letters, Private. The palms of
ILLUSTRATED’ FEATURE SECTION—Octobér T2;"19z9
his hands were wet and cold, his
tongue felt like a withered pea in a
dried nodes a ee eetesp
Gosling jelly. distance “St.
‘Michael ist enined and struck eleven.
He made a solemn vow to himself
to stick it out for another quarter
hour. If he did not get in then and
ae it a with, he could ‘not oe
body ‘there any ‘longer. -'The
man _who had hired him had smiled
oyer his head at another ocean
of ‘the room ‘all the time ‘that he
talked. He -had been sitting where
he could ‘not see the other man, but
his back had ‘quivered under the de-
‘Tisive answering smile. “He prayed
now. that this man would “be alone
and that. he would not= ask* him
where he had worked pefore. © Fer-
‘tilizers! This was about’ the ‘end “of
the procession; ‘the last stand. He'd
have to get it, and he'd have to stick
it out when he had it, His thoughts
touched on his mother - and her
hope for the success of the inter-
view. A warm, tender wave swept
upward from the pit of his stomach
and broke in a blinding mist before
his eyes. The big, black PRIVATE on
the door swam and quivered. Panic!
Suppose the door should open now!
He dashed his knuckles across his
eyes and gritted his teeth.
A low-pitched man’s voice had
been rumbling monotonously in the
room beyond the door that he was
watching. Now it stopped. He heard
the sound of.a chair pushed over a
bare floor; then the words: “That will
do now. Tell the young’man out-
side that I will see him.”
The door with its shaking letters
swung inward. A woman passed
him and said: “You may see Mr.
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Raymond now.” He set the mach-
inery of his Jegs in motion, and the
woman closed ‘the door behind him,
_ The room was large and bare. It
smelled faintly of phosphates. In its
ceritre a heavy. man sat in a swivel
chair behind a fiat-top desk. “Behind
timles spectacles his eyes were keen
and appraising. © my ¢
St you ne Reece
| ‘af in’ a-deep, y voice,
ee: aes et know you. Knew a
father,:* too—boys.. » together-—fine,
both. of them. “Got ‘alot. to’ live up
to; Son.”. "He- shook :hands. cordially
and: waved shis eee a chair at
the end~of the tesk where the: light
struck his face, and took a. geod Jook
at him. ~.What “he: saw.was a tall,
slender lad with loosely hung arms
and leet and a ‘sallow -face * that
flinched “away from his look like an
open wounid under a probe. “He saw
brown hair with a cowlick over the
pforehead, and slate-coloured eyes
that were too conscious of their own
tragic admissions to meet his glance.
. Mr, Raymond busied himself de-
liberately with a silver cigar-cutter
and a long, black cigar. He scratch-
€d.a match, applied it, and blew a
funnel of smoke toward ‘the ceiling.
He_ threw. a sidelong glance - at the
boy. . Yes, the respite had helpéd.
They could talk now. she
~ eee like to try the fer-
tilizer ness, eh?” There was a
twinkle behind his glasses.
<. “¥es, sir.”
oe mind starting at the bot-
“No, ind sir, almost_ anything.
ae I Sent, mind doing anything
at all.” 2
“That's the proper spirit!” exclaim-
ed the big man. ‘Now, how'd you
like to start just where I did and
work up?” The deep voice filled th
(Continued on page eleven)
se FE
oe P 4
ee Bes Bes
Srp ee ee
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ee
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tell son to yse Queen hel “bean
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Queen: best: of all, Queen will give
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that you ‘caw comb any way you
1 With “with or without ‘straighten-
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that Jovely' sheen women envy and
sien adoré.-If your druggist is out, ~
send oe In stamps for Full ‘Treat
ment, Shampoo and dressing. The
use Of Qneen brings -you beauty
and stigeess, .Send- Now. t
Neéwbro Co., Dept. 28M, Atlanta, Ga.”
Big Pay. Write
AGENTS WANTED 72 Fay. Write.
A man holding a dog.
It was during this period of illness that Bert made famous his song masterpiece, "Puppy Dog." In this he held a live mournful pup in his arms while he sang a sorrowful song, frequently moving his audience to tears.
It was during this period of illness that Bert made famous his song masterpiece, "Puppy Dog." In this he held a live mournful pup in his arms while he sang a sorrowful song, frequently moving his audience to tears.
BEAUTIFUL Hair Hair exquisitely soft and silky—easy to comb in the smart new style—can be yours so easily, so quickly.
Theresa Mason, recently starring in Africana, has the softest, loveliest hair ever you saw. The beauties of the stage and society know the secret—
WAVINE Hair Dressing
You will love to use Wavine for it is delightfully perfumed and the results are so sure and quick. Within a week you will see a wondrous change—real hair beauty—and you will understand why more than four million jars of Wavine were used last year.
Convince yourself. Get a jar of Wavine today from your drug-gist. The price is only 25¢
The Boyd Company, Perfumers, Birmingham, Ala.
Chicago: 20 E. Jackson Blvd., Suite 800
New York: 61 Whitehall St., Suite 2
IRA ALDRIDGE The Negro Dramatic Genius
Aldridge was proficient in several languages, and knew whole plays of Shakespeare by heart, not only in English but in the German and French translations, not to mention several other plays, some of which have been named.
One of the most remarkable features about him was his head with its lofty, intellectual forehead. According to one encyclopedia his head measured 22 and a half inches. Perhaps no American actor, before or since, has received as much honor as he.
"The Continent," says the Encyclopera Americana. "ranked him as one of the foremost actors of the age, and great sovereigns, with cities like
ILLUSTRATED FEATURE SECTION October 12, 1929
A man sits in a chair, reading a book, with a child lying on his lap. The room is dimly lit, with a large window behind him.
Nevertheless, Bert grew worse and had to be taken on a special train under expert care to New York. He was met by his faithful wife.
Bern, showered honors and decorations on him, and made him member of all sorts of learned societies."
"As an interpreter of Shakespeare," says Appleton's encyclopedia, "he was very generally regarded as one of the best and most faithful....On the Continent he ranked as one of the ablest tragedians of the time; honors were showered upon him wherever he went." In 1867 while at the summit of his triumphs he died, at Lodz, Poland, on August 7, while on his way to Russia, whither he had again been invited by the Czar.
Talented Children
He left a son and two daughters. The former, after winning much success as a pianist, died young; the latter, who were infants at the time of his death, are still alive.
The elder of the two, Miss Lauranah, after being a successful grand opera artist for some years, was attacked by rheumatism, and has been an invalid ever since. The younger, Miss Ira, has worthily kept alive the name of Aldridge.
Daughter, Great Composer
While still a child she won a
...from Broadway to Okeh...
...Eddie Green...
featured in...
"Connie's Hot Chocolates"
We have reproduced the best and funniest sketch in this musical show just as Eddie Green does it for his New York audiences.
"SENDING A WIRE"
PART I and II
No. 8721—A MONOLOGUE
75¢ 75¢
Okek
ELECIRIC
scholarship, and was accepted as a pupil by Jenny Lind, "the Swedish Nightingale." She appeared in several recitals and has since become one of England's best known musical composers, and successful vocal teachers. Her musical compositions which are numerous have been published by Messrs. Chappel and Co.; Ascherberg, Hopwood and Crew, and seven other English publishers, as well as
A. W. BENNEGARBE
During this final spell of severe illness all the notables of the New York stage and many social celebrities visited him and offered their unlimited resources for his recovery. Often his bed was surrounded with sympathetic and interested friends.
played by leading military bands and in the principal theatres
Among the number are "Three African Dances," "Three Arabian Dances," "T'Chaka" (noted Zulu Conqueror) and several of Dunbar's poems which she has set to music.
Her address is: Miss Ira Aldridge, a Bedford Gardens, Kensington, London W. Her name is Montague
Text by BEN DAVIS, JR. Drawn by A. W. RENNEGARBE.
severe illness all the notables of the New York
obrities visited him and offered their unlimited
Often his bed was surrounded with sympathetic
ns are Ring.
The writer understands that a committee, headed by Mr. James Weldon Johnson of the N.A.A.C.P. of New York City, is now gathering funds for the erection of a monument to Aldridge. If ever a great artist and great educator deserved a monument, it is he who stands out as the greatest of all Othellos, and one of the noblest men of all time.
M.
Viola Colston, pretty soubrette and former member of the London edition of the famous "Show Boat." Her soprano voice is as pleasing as her looks—and that's saying something.
Viola Colston, pretty soubrette and former member of the London edition of the famous "Show Boat." Her soprano voice is as pleasing as her looks—and that's saying something.
Yellow Tomato Preserve
For each pound of small, yellow tomatoes, use three-fourths pound of sugar and one lemon. Tomatoes that are about the size of small plums are very desirable. Pour boiling water over them and cover tightly for two minutes, then quickly drain and cover with cold water. This will loosen skins. Peel tomatoes, being careful not to break them. If skins will not come off, treat them again with boiling water. Place the sugar and tomatoes in a crock or enamel dish and let stand overnight. Drain
Backache
If functional Bladder Irritation disturb your sleep, causes Burping or Itching Sensation. Backache or Leg Pains, making you feel tired, depressed and discouraged, why not try the Cystex 48 Hour Test? Don't give up Get Cystex today at any drug store. Put it to the test. See how fast it works. Money back if it doesn't bring quick improvement, and satisfy you completely. Try Cystex today. Only 60c.
Watch Tongue For Signs of Illness
Watch Tongue For Signs of Illness
Your tongue is nothing more than the upper end of your stomach and intestines. It is the first thing your doctor looks at. It tells at a glance the condition of your digestive system—and physicians say that 90 per cent of all sicknesses start with stomach and bowel trouble.
A white or yellowish coating on your tongue is a danger signal of those digestive disorders. It tells you why the least exertion tires you out; why you have pains in the bowels, gas, sour stomach, dizzy spells.
A white or yellowish coating on your tongue is a danger signal of those digestive disorders. It tells you why the least exertion tires you out; why you have pains in the bowels, gas, sour stomach, dizzy spells.
And it's a sign you need Tanlac. This good old reliable medicine has helped thousands who were physical wrecks. See how the first bottle helps you.
Tanlac contains no mineral drugs; it is made of barks, herbs and roots—nature's own medicines for the sick. Get a bottle from your druggist today. Your money back if it doesn't help you.
IMUSTRATED FEATURE SECTION - October 12, 1929
---
Relieve that Pain/
with
10¢
ONE DOZEN
St.Joseph's
Pure
ASPIRIN
5-GRAIN TABLETS
as Pure as
money
can buy
off juice and boil rapidly until it threads. Add tomatoes and the thinly sliced lemons. Cook until clear and thick. Seal in clean hot jars.
"Laughing is the sensation of feeling good all over and showing it principally in one spot."
Heartless
The hunter who shot his guide so as not to return home empty handed.
Where Jazz in Cabarets Was Born
(Continued from page one)
too were presented to the critical audiences whose kindly sug- ons, generous applause or brutally candid criticism were most useful adjuncts to the future success of the person whose wares passed the Marshallett's sensor board. It was a rigorous school, but the acceptances or rejections of the publishing houses further down town soon gave the ring of authority to the gang decisions.
In a comparatively short time, the boys began to do trick stuff for one another's delectation and amusement. These tricks soon became talked about, and as the novelty became more widely known by word of mouth, the little restaurant began to take on a genuinely cosmopolitan air.
Such youngsters as the Vanderbilts, the Hannan boys, sons of the rich shoe manufacturer; Mark Hanna, Jr., son of the Cleveland millionaire politician; the younger Goulds, the Belmont boys, the Brokaw boys, then young sports; together with wine agents and theatrical managers, became enthusiastic over what they saw there.
The logical consequence of this interest was that very soon these sporting youngsters, who could afford to satisfy any whim that appealed to them, began asking this, that, or the other one of the musicians and entertainers that gathered at the Marshallette, to play for private parties and for dances at hotels. Later, groups of them were asked to entertain at Firth Avenue homes and upon Long Island and Westchester estates.
The novel antics that did not interrupt the rythm of the dance music were enjoyed by the jaded society girls and the sub-society folks that at times were guests of these people. Interest grew to the point that Jim Cotton, chief house detective of the Waldorf; Mr. Grogan, the manager of the Knickerbocker hotel, aristocratic sport headquarters of the period, and the Astor house, staid as it was, were constantly being called upon for boys from the Marshallette. The boys, then known as "Giggers," had their counterpart in Chicago; for, both the musicians and those whom they entertained were, to a great extent, inclined to be interchangeable as to their residence in the two biggest cities in the land. The jugling of the drummer be-
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Experience Unnecessary
arets Was Born
came a standard feature of the novelty band. Along with that came the use of the mute upon the brasses and the other tricks that are now standard to the jazz band. In fact, the tossing of the drummer's sticks into the air, and the introduction of barnyard sounds made with accessories, began to make it necessary for a drummer to travel in a private vehicle that had the appearance of a moving van, whenever he took a taxi to reach his job.
staged to de- (Continued on page eleven)
Then contests were staged to de- (Continued on page eleven)
Too Much ACID
Many people, two hours after eating, suffer indigestion as they call it. It is usually excess acid. Correct it with an alkali. The best way, the quick, harmless and efficient way, is Phillips' Milk of Magnesia. It has remained for 50 years the standard with physicians. One spoonful in water neutralizes many times its volume in stomach acids, and at once. The symptoms disappear in five minutes.
GLEAMY WHITE TEETH and a Sweet Breath
You will never use crude methods when you know this better method. And you will never suffer from excess acid when you prove out this easy relief. Please do that—for your own sake—now.
Be sure to get the genuine Phillips' Milk of Magnesia prescribed, by physicians for 50 years in correcting
AIN'T GOT
AIN'T GOT
NO MAMA
NOW
Male Quartet
by
FOUR PODS of PEPPER
Brunswick
race record No. 7103
HERE, folks, is a low-down sobbin' tune sung in a brand new way by the Four Pods of Pepper. When they sing "AIN'T GOT NO MAMA NOW," they stop you cold with their wonderful harmony. And their "QUEEN STREET RAG," on the other side, is a winner, too. HEAR THIS RECORD TODAY!
Ain't Got No Mama Now . . . . . . 7103
Queen Street Rag 75c
Male Quartet Four Pods of Pepper
Brunswick
RACE RECORDS
"Get 'em-'cause they're HOT!"
Manufactured by THE BRUNSWICK BALKE COLLENDER CO., Chicago
GENUINE
PHILLIPS
MILK OF MAGNESIA
For Troubles
due to Acid
INDIGESTION
ACID STOMACH
HEARTBURN
HEADACHE
GASES - NAUSEA
October 12. 1929
termine who was the "best" drummer. These led up to a big competition held in Madison Square Garden where a colored man, with the euphonious nick-name of "Battle Ax" acquired a medal that declared him to be the world's champion of his art. He is a Columbus, Ohio man by birth, and may be seen any day lovingly tapping his drums in the pit of the Lafayette theatre, New York. He is a Marshallette graduate.
excess acids. 25c and 50c a bottle any drugstore. "Milk of Magnesia" has been the U. S. Registered Trade Mark of The Charles H. Phillips Chemical Company and its predecessor Charles H. Phillips since 1875
Try Phillips' Dental Magnesia Toothpaste just once and see for yourself how white your teeth become. Write for a free ten-day tube. Address The Phillips Co.. 117 Hudson St.. New York. N. Y.
Child Training
SCIENCE BANISHES ~
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No matter how eray, faded or streaked your hair is, this new double
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Just send your name and address and we will send you the regular $2.00 home treatment
far iy giss. ‘Try it one night and if not delighted send it, back and it costs you nothing.
‘This new method has been used by ‘people all over the ‘United States who claim it to be the
er eels ‘ased. Your mirror will show you ‘the results. Write wod-# and banish
BETTY BELL CO., Dept. 3i7, i2th and Van Brant “—— ~~
i Konsas City, Mo. eee
vied eee
Fk NEE
: By Elise Johnson Ayer
| ‘Authority on the Care of
; the. Child.
A FEARFUL PARENT MAKES A
TIMID CHILD
Many forces actga ee
upon the child, #2
some of which thei 3 we
mother — feels are a
beyond her control, gee "ss.
A more or less Con-Bir cite: 4
stant atmosphere olf |. ee
anxiety hovers a-lgggaes 5
bout. the - majorityp: —
of parents. | Infgw. jue |
the clinic or office, £ cx ge
the doctor's or den“ee ee 8.
tist’s. services toBer gag &
the. child are les-Gi gue ae 3 i
sened often by the —
oo
— a
me
&.
oe
effort he mustMrs. Elise Ayers
make to allay the needless fears of
the mother more than the child.
The young son’s first day in school
is often made miserable mainly by
the lingering mother’s fear of a day’s
separation. For such parents, life is
just a series of dreads which not
only. restrict usefulness and happi-
ness but cause parents to hand them
down to the next generation. So it
is well to stop and consider this whole
question of fear.
Fear is one of the most important
forces working within us. We do
much or refrain from many things
because of fear. By actual experi-
ment with new-born babies in a ma-
ternity hospital in Baltimore, Dr.
‘Watson, a physician and psycholog-
ist, has proved that we are born with
but one or two fears at the most. One
of these is fear of sudden withdrawal
of support or falling. Another 1s
tear of a loud noise. All other fears,
he maintains, are taught to us or ac-
quired from conditions around us.
I can hear the average mother
who dislikes giving up ideas which
have been with her for years. “But,”
she argues, “do not some fears serve
a useful purpose and keep the child
out of danger? Must a child fear
nothing—not even fire, or say an
open window?” To which = make
answer: ene So-ant ee ee
; ey si joughts an’
Toaines which ‘spread out and make
for unhealthy mental states in re-
gard to totally healthy activities.
“What then. shall we do about fire,
ete.” asks the still unconvinced
mother.
My answer is : Have baby in a
play pen, either bought or home-
ae p>
ee hd
- |
Pa 6 pees
wp” \
Pe 3 N
ABaby inYour Home
Hundreds of married women, child-
less for years, suddenly found them~
selves in a state of the most blissful
anticipation due to the remarkable
influence of a doctor’s prescription
that overcomes sterility in many
cases when due to functional weak-
ness. Mrs. Mary Etters of 5 Tenth
St., Braddock, Pa., writes: “We are
blessed with a fine baby boy, I con-
gratulate you. on. your morannia
prescription. I will be €) jad to
recommend it to any woman.” Every
married woman who really wants
children should write at once for a
free trial of this prescription and a
free copy of an invaluable book that
telis how to use it and many other
things every woman should know.
Please enclose 10 cents for postage
and packing. Address in confidence.
945—C Dr. H. W. Elders,
Ballinger Bldg. St. Joseph, Mo.
- TLEUSTRATED* FEATURE SECTION—October 12, 1929
made. Give him* toys. which allow
him full play for his instinct for cu-
riosity. Allow no one to call his
attention to fire and later, when he
can understand, deliberately teach
him, the uses of fire, stressing these
rather than the horrors and dangers
which should be told without alarm-
ing details. As for the open win-
dow, bar or screen it,
Never use fear as a safety device.
It won't work always. Never use fear
as a disciplinary measure. It usual-
ly works a harmful kind of discipline.
Just at the wrong time or under the
wrong circumstances the fear will
crop up under a new disguise. It re-
quires years to trace and weed out
‘traits of character which started by
/small remarks of warning by the
fear-ridden mother or father.
Vlctchert.
ASTORIA
HARMLESS COMFORT
+ Children Cry fort
, |
EES
eee tt
oe ee
Soha ae Seek
Se ee aa
Bee ee ee
tees
“I Formerly fiad So Much
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Letters similar to Miss Barren-
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from people who had short, kinky
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It will relieve dandruff, tetter,
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Try a box of Harade Pomade.
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Use Harade For Your
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Dr. Bunker’s Handwriting Analysis
By DR. M. N. BUNKER
Nationally Known Grapho-Analyst.
PRL OW rrvrey |Tootn ot Dalits Te Show in”
by hard work | Sees
“What shall I do?” :
Jack Bronson, one of our readers,
sent in ‘the question. Jack says that
when he was in school his teachers
used to say he wasn’t any good. He
did not get his lessons. Jack ad-
mits it. “Somehow I just cannot
study history, and geography, and a
lot of other things,” he says in his
letter, “I want to do something. I
want to make something—but I'm
not certain what it is that I want
ito make. I hate sitting still, and I
‘guess I’m just a failure.”
You may feel at times like Jack
does in this letter, and so you-may
be interested in what I found out
about Jack, by studying his hand-
writing. This you know, if you have
been reading this section every week,
is a perfect register of the talent
you have. If you are a natural born
orator, and capable of making a
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li ——
| | i | i 7 |
} ee !
| Vente |
aa a _ at
Ur ES KS i | i
(2 SAEES, | DY
% Or) | Wr Oe
. SEE) 4 | Se
aS SS tf his HM ee eB
Ee | [S77 ee
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success in law, or in the school
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writing. If you are the right kind
of person for a nurse, or are gifted
with talent that. will make you @
success on the stage or as a writer,
Se ie ene a re
This is exactly what I found fn
Jack Bronso.’s letter. He isn’t the
kind of a fellow to care for books—
but if Jack has the right kind of
encouragement he will make a won-
derful mechanic, possibly an in-
(Continued on page ten)
Rubber, Shoe Polish, Milk, From the Sweet Potato
Dr. Bunker's Handwriting Analysis
10
A.
Dr. George Washington Carver, whose discoveries of over 100 useful products from the potato and 165 from the peanut, are recognized as definite contributions to international scientific progress.
One of the most outstanding figures in the field of science is Dr. George Washington Carver, professor of chemistry at Tuskegee Institute. Dr. Carver's laboratory is one of the unusual workshops which sight-seers and casual visitors at the Institute always visit.
Dr. Carver, the individual, is very interesting. His keen mindedness is very evident, though he uses no flowery language. His manner bespeaks refinement, and in spite of
(Continued from page nine) ventor. He shows real talent for this kind of work, and will be certain to make a success in it if given a chance.
The fact is that Jack Bronson can give himself a chance. He can buy books on engineering and machinery, and can learn at home to do the things he wants to do. He will find such books interesting—far more so than any fiction he may ever read. Jack Bronson has the making of a real success—and if you just wait a few years, you will see his name in big letters in our scientific and mechanical world.
Why do I say this? Because he has talent. His teachers may have said he doesn't know the things they want him to know—but he has talent—the natural ability to do things in one field
No matter who you are or where you live, you have some talent. You may have felt that you are a failure —maybe you have been so far, but if you will learn your own talent, and will cultivate it, you can make a place for yourself in the world—
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UICI freezing of a wide variety of entirely new desserts and salads never before possible in the home is brought to the kitchen with the perfection of a device for the regulation of low temperatures in the ice trays of the household. electric refrigerator. This cold control, when installed on a household cabinet, enables the housewife to set the temperature in the ice trays at any one of six freezing speeds, ranging from a point slightly below freezing to near the zero mark. With this appliance she has the same control over the temperature in her refrigerator as she has in the use of her oven heat regulator on the gas range.
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Peel oranges and grapefruit and divide into segments, rejecting all white skin. Arrange a circle of orange segments on a lettuce-covered
A mother and child
Handwriting Analysis
75 E. Wacker
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Thought Asthma Would Smother Her
Sleeps All Night Now. Bronchial Trouble Is Gone.
How to get rid of asthma and severe bronchial coughs is convincingly told in a letter by Mrs. E. J. Bain, 1902 W. Vermont street, Indianapolis, Ind. She says:
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his marvelous achievements he is quite unassuming.
This eminent scientist shows over one hundred useful products which he has derived from the sweet potato. These include, rubber, shoe polish, powder and milk. From the peanut, he has gotten one hundred and sixty-five products. Some of these are fattening oil, bleaching cream, coffee and milk topped with cream. A drink of peanut coffee with the necessary amount of peanut cream and sugar is absolutely indistinguishable from regular coffee. Taste experts have corroborated this discovery.
Dr. Carver has also made from the clay in and around Tuskegee Institute three hundred different paints which can be used satisfactorily. Among these paints is an Egyptian blue. This blue, which is a very rich dark color, had never before been made in the exact shade used by the ancient Egyptians. Hitherto, the duplication of it has been considered an impossibility. Dr. Carver has obtained the exact shade. While all of his discoveries do not seem highly practical at the present time, they will undoubtedly lead to a solution of a great many of the economic problems in the South.
Some time ago Dr. Carver received the Spingarn award which is presented each year to the Negro achieving the highest distinction in the arts or sciences. It is admitted that his name will be recorded in history along with those of Edison, Marconi and others as a high-light in the field of scientific discovery and research work.
and be anything but a failure. You can be a winner—not a failure.
You may have a personal report made of your handwriting if you will write a page, using pen and ink. Sign your name, send letter to Dr. M. N. Bunker, in care of this newspaper, with a stamped and self-addressed envelope for reply. Be sure to enclose the stamped envelope, for letters without this will be discarded.
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Week-end Suggestions and Recipes
Into a well-buttered pan put slices of raw peeled potatoes and a little pepper. Then a layer of uncooked, sliced ham. Add another layer of potatoes and ham and pour on thin cream sauce (1 tablespoon flour, 1 tablespoon butter, to 1 cup milk). Sprinkle bread crumbs on top and bake in a moderate oven until brown and potatoes are well done. Serve hot. Just enough ham can be used to give the desired flavor, which has the advantage of making a little ham go a long way. For picnics this can be baked at home in a heavy tin dish with a cover and reheated over hot water on a camp-fire.
A SUMMER DISH
New York Salad
4 slices pineapple
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Grapefruit Salad
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Vocal with Piano and Guitar
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½ cup celery
½ cup nuts chopped
2 oranges
Cream mayonnaise
Lettuce
Arrange slices of pineapple on nests of lettuce leaves. Cut celery in slender strips, one and one-half inches long, and mix with nut meats. Pile in centre of pineapple, and garnish with four sections of orange, free from membrane, laid symmetrically on pineapple. Pass dressing separately.
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UNITED LABS., P.O. Box 1309,
Chicago, Ill., Dept. 47.
Name
Address
City State
Where Jazz in Cabarets Was Born
The encroachment of business into the territory, where the entertainers once had their habitat, was the added stroke to the series of developments that marked the close of the place.
Mamba's Da
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BOW-LEGS Knock-Knees?
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Widely known scientist discovers gland treatment that goes direct to the hair roots; stimulates new growth; straightens and cures scalp troubles; straightens the hair overnight; stops falling hair in 48 hours; awakens dormant hair glands. New discovery quickly proves that baldness is a disease. You can have full, straight, beautiful and abundant hair. If you will science supply the tiny porement to seed and stimulate the tiny hair roots. Uply, kinky, scanty hair can be easily and quickly made to grow into lifelong abundance. No bother, no muss, science works through the blood stream and reaches the little hair glands. No matter what you have tried, science rarely fails. Thousands now tell of amazing results, including hair that is now well-furled. Do not fall, felling hair and baldness ruin your greatest charm and asset. Science has perfected a hair treatment that gives the Race beautiful, straight and glorious hair.
Sufficient has this giant discernance been that Mr. Anderson negel to introduce this amazing treatment to every Race member small cost of only $1.95. The regular $5 treatment will under full money-back guarantee when you is reader paper for only $1.95. You must send your name and address, card coupon and complete $5 treatment will be sent you; married person $1.95 and postage. This special offer is matched and your money refunded if not more than pleased.
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WRITE FOR TRIAL TODAY—
Name
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(Continued from page eight)
There came a separation of the partners in the now big restaurant, and Lett went to Chicago, where he ventured into several attempts to duplicate his New York success, but Chicago would not take to it in the way that New York had done.
Meanwhile, the Clef Club, with a membership of more than three hundred union musicians, grew out of the restaurant gang when Will Marion Cooke, ceibrated in Europe and America for his compositions, urged the fellows to organize as a protest against the increased price the Marshallette established for the beer served to them. The club now owns property on the opposite side of the street from its birthplace in the Marshallette basement. The Clef club is taxed at more than a hundred thousand dollars on realty and furnishings.
Others of the one time patronage followed the race trek to Harlem, where the musicians' headquarters, Deacon Johnson's booking office, the Dressing Room club, and the Colored Vaudeville Benevolent club are the legitimate heirs of the idea that found birth in the restaurant.
room with warm vibrations; they entered into the boy's body and started something glowing there. No one had been so understanding before. He felt suddenly that he would like to show this friend what he could do. Perhaps there would be a riot at the factory, all of the other white men gone, and he there alone reasoning with the mob. Or perhaps it would be a fire. He saw himself grown suddenly to splendid stature smashing down a barrier with an axe, manning the hose. He saw the flame leap, gather headway, and roar down the great funnel of a building. Horrors! Mr. Raymond had been talking to him. The big hand slapped the table, and across Saint's vision crashed the words: "What do you say to that?"
What had it been? Saint groped back among the spent words that had scarcely grazed his consciousness. It was no use, they were gone. His benefactor was leaning forward expectantly, waiting for an answer.
"Thank you very much, Mr. Raymond," he said lamely, and wondered wildly what he was being grateful for.
"Good! You accept, then?"
"Yes, indeed, sir."
"Well, we'll start you with five dollars a week. I am going out to the mines myself tomorrow, and I'll take you along. Be here at nine o'clock and bring your grip, so that you won't have to come back for your clothes."
The big man got to his feet and put his hand on the bewildered boy's shoulder. "Started with one myself, ended up with a chain, then came on in here. So you see it can be done," he said, smiling.
1930
Science Proves Hair Roots Can
Grow Back
Grow Beautiful Hair
O LUSTRATED FEATURE SECTION—October 1929
OVER 50,000 RACE MEMBERS KNOW THAT GLANDS WILL GROW
NEW HAIR—FREE FROM KINKS AND SCANTY UGLINESS
Wealthy and prominent Race members loudly praise Mr. Anderson for this
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The concluding slap at the institution was an outgrowth of the World War. "Jim" Europe took many of the boys with him and the "Fighting Fifteenth" to the war. While in Europe, these boys played for distinguished executives of many nations, for convalescent officers of many countries, and for the more humble citizens of the towns in which the band was billeted. They introduced their trick stuff, which they had learned in the New York eating place, to Europe.
With the war over, and the struggle for recovery of nerves on, a sedative was demanded by the people both here and there. The type of music that had been nursed into vogue in the little restaurant was just the thing; and pitiful as it may seem, the very thing that had made the place what it was, ruined it. The musical bunch, in response to public clamor, was scattered all along the Atlantic coast, and pioneer groups were sent to every capital in Europe.
In the street Saint stopped and looked up at the window of the room he had left. "Ended up with a chain," he muttered dubiously. "What kind of a chain. I wonder."
END OF INSTALLMENT II.
Peel and slice oranges, rejecting all white membrane. Cut wedge-shaped slices from red apples, without paring. Arrange on lettuce-covered salad plates, using alternate slices of orange and apple.
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to Egypt, Honelulu, China and Australia. In fact, so many went to Paris that a Cief Club of Paris was established.
Now, a musician can not be in two places at once, and this scattering of the boys brought the situation at the Marshallette to a climax. Marshall, too, gave up and went to Canada, and has since passed away. For, with the departure of the composers, entertainers and musicians, the lure that drew the rich patrons no longer existed.
With the usual perspicacity of the imitator, every man who could assemble a band did so. Publicity was bought, silly stories told to reporters about this and that one being the original jazz master, and the vogue was on.
Because of this command of publicity the names of Paul Whiteman, Paul Ash, Duke Yellman, and a score of other aliens have been riveted upon the public mind, each as an originator of jazz. One may stand any day at the corner of 46th street and Broadway and meet hundreds of white fellows each claiming to be a member of the "original" jazz band. And they insist upon one believing them.
Is it any wonder Charlie Lett prefers to ride New York Central dining cars between the two big cities rather than remain, permanently in either one of the towns where the thing
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ROOTS AND GROWS
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```markdown
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ERS KNOW THAT GLANDS WILL GROW FROM KINKS AND SCANTY UGLINESS members loudly praise Mr. Anderson for this moment. They say: "It's wonderful—it's every day, town like it! lifting everybody it using it." And ugly, the very new gland treatment. DAY—MONDAY GUARANTEE
Read These Letters
Read These Letters
Lydia E. Pinkham's Vegetable Compound
he nurtured into growth is being exploited to the credit of those who have no knowledge or appreciation of its history? And Charlie is not a musician. That's the story of Jazz and the Cabarets.
RECIPES
ORANGE DATE SALAD
1 cup dates
2 oranges
Lettuce
French dressing
Separate dates, cover with boiling water and cook 3 minutes. Drain, dry in the oven, cool, remove pits and cut in halves lengthwise. Halve oranges and remove sections of pulp. Arrange lettuce on salad plates, pile orange sections in center and surround with dates. Serve with French dressing.
SPONGE CAKE
1-2 tablespoon lemon juice
1-8 teaspoon grated lemon rind
3 egg whites
1-2 cup flour
1-8 teaspoon salt
Beat egg yolks until thick 1 lemon colored and add sugar gradually, beating constantly. Add lemon juice, rind and stiffly beaten egg whites.
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Read The
PETER A.
Mrs. Mamie L. McKinney, 400 Emerson St., Vandergrift, Pa.
"I am a seamstress and also do housework at home. I was so weak and tired that I had to lie down half the time. Lydia E. Pinkham's Vegetable Compound was advertised in the Pittsburgh Courier and I tried it to build up my system. My nerves are better and I feel as strong as I ever did. I have recommended it to many and will answer letters from women."—Mrs. Mamie L. McKinney.
Lydia E. F
Vegetable
Lydia E. Pinkham Med
folding mixture to keep in air. Cut and fold in flour and salt. Put in small deep cake pan and bake 40 minutes in a moderate over. 350 degrees F.
Big Money
Sellingliest
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Selling Lies!
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Men jump at the chance to buy
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NAWCO NECKWEAR CO
Dept. G-235
Covington, Ky.
For hair beauty
1970
Follow the lead of Gladys May, vivacious actress in Shufflin' Sam from Alabama' who says she finds Exelento the most delightful hair dressing she has ever used.
EXELENTO QUININE POMADE
is the original! It reaches the roots of the hair and gives natural lustre that stays! Stops itching scalp and makes harshest hair soft and pliable.
At All Drug Stores.
Write for FREE sample and book of Beauty Hints.
EXELENTO MEDICINE CO.
Atlanta, Ga.
Tired and Cross
"I was just as tired in the morning as when I went to bed at night. I was cross and irritable all the time. My sides, back, and head hurt me. I never felt like myself. A friend of mine told me to try Lydia E. Pinkham's Vegetable Compound. I am now on the third bottle and I cannot say enough for what it has done for me. I will answer any letters from women asking about it."—Mrs. H. S. Wines, 1820 Jasper St., Birmingham, Ala.
From Mother of Seven
"I am the busy mother of seven children. I took Lydia E. Pinkham's Vegetable Compound before my last baby was born. She is a fine little girl and I am still taking the medicine to keep up my strength. I intend to give it to my oldest girl when she matures, just as my mother gave it to me when I was young. We know how good the Compound is for mothers and daughters."—Mrs. Sadie Butler, 2 Tyler St., Providence, R. I.
Pinkham's Compound
Medicine Co. Lynn, Mass.
ILLUSTRATED FEATURE SECTION—October 1929
THOSE
ES and PA
CK
LIEF
100
Bayer-Tablets
of
Aspirin
5 qrs. each
BAYER
Genuine
DOSE: 1 to 2 Tablets
with water
Full Directions inside
The Bayer Company Inc.
17 Hudson St. New York
12
Bayer-Tablets
of
Aspirin
5 qrs. each
BAYER
Genuine
seem to sink down almost to the bone—then is th
ike a few tablets, and the worst headache is quickly
re. Take it when neuritis, rheumatism or neural
know what this tested remedy can really do in end
when Bayer Aspirin is taken. Whenever there’s a
is safe to use freely; not a thing in a Bayer tablet
one genuine Bayer Aspirin. It has the Bayer Cros
down almost to the bone—then is the time you will be glad, and the worst headache is quickly ended. But the uses of when neuritis, rheumatism or neuralgia is making agony of is tested remedy can really do in ending pain! Relief starts Aspirin is taken. Whenever there’s a pain, think of Aspirin. freely; not a thing in a Bayer tablet could hurt anyone. But Bayer Aspirin. It has the Bayer Cross on every package and
THOSE ACHES and PAINS
WHEN your aches and pains seem to sink down almost to the bone—then is the time you will be glad for Bayer Aspirin! Just take a few tablets, and the worst headache is quickly ended. But the uses of Bayer Aspirin do not stop there. Take it when neuritis, rheumatism or neuralgia is making agony of every minute. Then you will know what this tested remedy can really do in ending pain! Relief starts at once; even lumbago gives in when Bayer Aspirin is taken. Whenever there's a pain, think of Aspirin. Any doctor can tell you that it is safe to use freely; not a thing in a Bayer tablet could hurt anyone. But don't forget this—there is only one genuine Bayer Aspirin. It has the Bayer Cross on every package and tablet.
Next time you feel a cold coming on, end it with Bayer Aspirin. Relieve a sore throat or tonsilitis as easily with a gargle made just by dissolving two tablets of Aspirin in four tablespoonfuls of water. Any druggist has Bayer Aspirin, with proven directions.
DIDIN
DIDIN